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      생태주의 시의 미적 형식에 대한 연구 = The Aesthetic Form and Poetic Meaning in the Ecoism Poetry

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      https://www.riss.kr/link?id=A76172671

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      다국어 초록 (Multilingual Abstract)

      This writing explores a few aesthetical types of ecoism poetry. Research into ecoism literature up until now has not exceeded the realm of materialism. Such method falls under the category of ideology critique and same as recapping modern debates. From that point and based on a premise that research into poetry must first and foremost seek linguistic form, few aesthetical forms of ecoism poetry were studied.
      Kim Jiah shows identity and commitment between the self and the world. Choi Dongho's poetry presents the existence investigative awareness of distance from thought and gaze. Park Taeil's poetry shows the oral imagination's awareness of the people and biorhythm. Here, ecoism imagination is mainly engrossed by short verses that focus on images. Simplifying the content is to create work in a more suggestive and limited environment. Vocal reverberation of the short, traditional eastern poetry is natural poetry sufficient enough to convey a sense of cosmic compassion. We are left speechless when faced with nature and humbly accept the fact that we are a part of an organic universe. Kant called this act of logic submitting to nature "sublime"
      However, a poet becomes a shaman when poetry is created after battling language. From the perspective that places poets as someone that recovers the premative sense lost through linguistic transfer, ecosim poetry offers the modern era with ability of an entirely new sense. Our ancestors were extremely sensitive and had super sight and were able to look up at the stars like we would with a binocular. Bushmen from Africa are capable of hearing faint sounds from amazing distances away. Modern civilization has radicalized sensory organs and dampened them. We need that premative and pure sense of feeling all living things and objects. Ecoism imagination restores the degenerated awareness. Ecoism imagination offers a sixth sense for fundamental affinity toward the universe. Additionally, ecoism imagiopens up a possibility of communicating with the masses alienated by the modern, elite forms of art. Collective rhythm restores the fundamental homogeneity of members of a linguistic collective. Revealing order and harmony of nature, we are ableto confirm the desire for the living world and internal relations and sympathy that exist between nature and man and among men. From this aspect, ecoism poetry presents a whole new outlook on future of literature.
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      This writing explores a few aesthetical types of ecoism poetry. Research into ecoism literature up until now has not exceeded the realm of materialism. Such method falls under the category of ideology critique and same as recapping modern debates. Fro...

      This writing explores a few aesthetical types of ecoism poetry. Research into ecoism literature up until now has not exceeded the realm of materialism. Such method falls under the category of ideology critique and same as recapping modern debates. From that point and based on a premise that research into poetry must first and foremost seek linguistic form, few aesthetical forms of ecoism poetry were studied.
      Kim Jiah shows identity and commitment between the self and the world. Choi Dongho's poetry presents the existence investigative awareness of distance from thought and gaze. Park Taeil's poetry shows the oral imagination's awareness of the people and biorhythm. Here, ecoism imagination is mainly engrossed by short verses that focus on images. Simplifying the content is to create work in a more suggestive and limited environment. Vocal reverberation of the short, traditional eastern poetry is natural poetry sufficient enough to convey a sense of cosmic compassion. We are left speechless when faced with nature and humbly accept the fact that we are a part of an organic universe. Kant called this act of logic submitting to nature "sublime"
      However, a poet becomes a shaman when poetry is created after battling language. From the perspective that places poets as someone that recovers the premative sense lost through linguistic transfer, ecosim poetry offers the modern era with ability of an entirely new sense. Our ancestors were extremely sensitive and had super sight and were able to look up at the stars like we would with a binocular. Bushmen from Africa are capable of hearing faint sounds from amazing distances away. Modern civilization has radicalized sensory organs and dampened them. We need that premative and pure sense of feeling all living things and objects. Ecoism imagination restores the degenerated awareness. Ecoism imagination offers a sixth sense for fundamental affinity toward the universe. Additionally, ecoism imagiopens up a possibility of communicating with the masses alienated by the modern, elite forms of art. Collective rhythm restores the fundamental homogeneity of members of a linguistic collective. Revealing order and harmony of nature, we are ableto confirm the desire for the living world and internal relations and sympathy that exist between nature and man and among men. From this aspect, ecoism poetry presents a whole new outlook on future of literature.

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      목차 (Table of Contents)

      • 1. 생태주의 문학에 대한 몇 가지 의문
      • 2. 기투와 동화의 역학성-김지하
      • 3. 사고(thought)와 응시(gaze)-최동호
      • 4. 집단요구 구비적 상상력-박태일
      • 5. 결론
      • 1. 생태주의 문학에 대한 몇 가지 의문
      • 2. 기투와 동화의 역학성-김지하
      • 3. 사고(thought)와 응시(gaze)-최동호
      • 4. 집단요구 구비적 상상력-박태일
      • 5. 결론
      • 참고문헌
      • Abstract
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