1 "크로스오버를 통해서 본 포스트모더니즘 비판 . 10" 10 : 135-150, 2003
2 "제3의 흐름크로스오버퓨전" 27 : 463-465, 2004
3 "재즈의 역사." 중앙일보사 1995.
4 "아도르노의 예술철학" . 한국음악학. 음악학 2. 서울 : 273-304, 1990
5 "록음악의 사회학: 사운드의 힘" 한나래 1995.
6 "래그타임부터 퓨전 이후까지" 이룸 2004.
7 "대중음악과 사회" 예영 커뮤니케이션 1999.
8 "University of Iowa" 1993.
9 "Three Approaches to Defining Jazz" 513-531, 1989
10 "Theodor Adorno on Jazz A Critique of Critical Theory" 69-72, 1988
1 "크로스오버를 통해서 본 포스트모더니즘 비판 . 10" 10 : 135-150, 2003
2 "제3의 흐름크로스오버퓨전" 27 : 463-465, 2004
3 "재즈의 역사." 중앙일보사 1995.
4 "아도르노의 예술철학" . 한국음악학. 음악학 2. 서울 : 273-304, 1990
5 "록음악의 사회학: 사운드의 힘" 한나래 1995.
6 "래그타임부터 퓨전 이후까지" 이룸 2004.
7 "대중음악과 사회" 예영 커뮤니케이션 1999.
8 "University of Iowa" 1993.
9 "Three Approaches to Defining Jazz" 513-531, 1989
10 "Theodor Adorno on Jazz A Critique of Critical Theory" 69-72, 1988
11 "The Problem with White Hipness and Cultural Conceptions in Jazz Historical Discourse" 48 : 396-422, 1995
12 "The Performer as Creator . In Contemporary Music and Music Cultures. Ed. B. Nettl et al. Englewood Cliffs" Prentice Hall 233-251, 1975
13 "The New Grove Dictionary of Music and Musicians" Macmillan Publishers Ltd. 903-926, 2001.s.v.
14 "The Birth of Bebop: A Social and Musical History." University of California Press 1997.
15 "Solo and Cycle in African-American Jazz" 479-509, 1994
16 "Social Movements and Cultural Transformation: Popular Music in the 1960s" 449-468, 1995
17 "Roger T. New Structures in Jazz and Improvised Music since 1960. Milton Keynes" Philadelphia Open University Press 1992.
18 "Reflections on Jazz and Modern Culture. Oxford" Oxford University Press 1988.
19 "Parallels in the Social Reactions to Jazz and Rock . Journal of Jazz Studies 2" 95-125, 1974
20 "Out of Notes’: Signification, Interpretation, and the Problem of Miles Davis" Duke University Press 165-88, 1995
21 "Leroy. The Anatomy of Jazz. Seattle University of Washington Press" Greenwood Press Publishers 19601973.
22 "Latin Jazz" Oxford University Press 522-533, 2000
23 "Jazz: a Century of Change" Schirmer Books 1997.
24 "Jazz and Classical Music: to the Third Stream and Beyond" Oxford University Press. 2000 343-356, 2000
25 "Jazz Styles: History & Analysis" Prentice, Inc 2005.
26 "Jazz After 1958. NY" John. The Freedom Principle 1984.
27 "Its Role as an Agent of Change" 89-108, 1992
28 "In the Moment Jazz in the 1980s." Da Capo 1996.
29 "From Its Origins to the Present. Englewood Cliffs" prentice-Hall 1993.
30 "European Roots of Jazz" Oxford University Press 17-28, 2000
31 "Down Beat: Front Page" Picader 127-130, 1995
32 "Constructive Elements in Jazz Improvisation" 285-305, 1974
33 "Blues People" Picader 96-104, 1995
34 "All That Jazz Again Adorno’s Sociology of Music" 31-40, 1991
35 "African Roots of Jazz" Oxford University Press 7-16, 2000
36 ". In A Study of Jazz. Dubuque" Wm.C. Brown Company Publishers 31-43, 1964/r1977