(The) social worlds of nineteenth-century chamber music : composers, consumers, communities|RISS 상세보기

목차 (Table of Contents)

CONTENTS
List of Figures and Tables = vii
List of Musical Examples = ix
Acknowledgments = xv
INTRODUCTION : String Chamber Music and Its Audiences in the Nineteenth Century = 1

CONTENTS
List of Figures and Tables = vii
List of Musical Examples = ix
Acknowledgments = xv
INTRODUCTION : String Chamber Music and Its Audiences in the Nineteenth Century = 1
1. Publishing Chamber Music : Archival Evidence for Chamber Music Production and Consumption = 21
2. "Domesticating" the Foreign in Arrangements of Operas, Folk Songs, and Other Works for Chamber Ensembles = 46
3. Music for Men of Leisure : An Examination of the Domestic String Style = 79
4. Redefining the "Progressive" Style in Responses to Beethoven's Late Quartets = 107
5. Creating "Progressive" Communities through Programmatic Chamber Music = 144
6. Audience and Style in Brahms's String Chamber Music = 174
7. The Diversity of Dvorak's String Quartet Audiences = 217
APPENDIX 1 J. Strunz, string quartet transcription of no. 18, "Priere" (Prayer), from Meyerbeer's Robert le Diable = 245
APPENDIX 2 C. W. Henning, string quartet transcription of no. 8, "Leise, leise, fromme Weise" (Gently, gently, pious words), from Weber's Der Freischiitz = 250
APPENDIX 3 M. Kassmayer, string quartet arrangement of "Mein Herz ist im Hochland" (My heart is in the Highlands) from Deutsche Lieder, op. 14, no. 4 = 259
Notes = 265
Bibliography = 291
Index = 305

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