1 조성애, "자연주의 미학과 시학" 동문선 2004
2 피터 스크린, "자연주의" 서울대학교 출판부 1970
3 장 보드리야르, "시뮬라시옹" 민음사 1992
4 조창섭, "독일 자연주의 문학" 서울대학교 2002
5 Sierz, "“‘To Recommend a Cure’: Beyond Social Realism and In-Yer-Face Theatre" Contemporary Theatre and Drama in English 45-78, 2004
6 Shaw, "“The Technical Novelty in Ibsen's Plays.” Dramatic Theory and Criticism: Greeks to Grotowski" Holt, Rinheart 638-647, 1972
7 Bull,John, "“The Establishment of Mainstream Theatre, 1946-1979.” The Cambridge History of British Theatre" 3 : 291-325, 2004
8 Huber, "“The Early Plays: Martin McDonagh, Shooting Star and Hard Man from South London.” The Theatre of Martin McDonagh: A World of Savage Stories" Carysfort 13-26, 2006
9 Greig, "“Rough Theatre.” Cool Britannia?: British Political Drama in the 1990s" Palgrave Macmillan 208-221, 2008
10 Jones, "“New theatre for new times: decentralization, innovation and pluralism, 1975-2000.”" 3 : 2004
1 조성애, "자연주의 미학과 시학" 동문선 2004
2 피터 스크린, "자연주의" 서울대학교 출판부 1970
3 장 보드리야르, "시뮬라시옹" 민음사 1992
4 조창섭, "독일 자연주의 문학" 서울대학교 2002
5 Sierz, "“‘To Recommend a Cure’: Beyond Social Realism and In-Yer-Face Theatre" Contemporary Theatre and Drama in English 45-78, 2004
6 Shaw, "“The Technical Novelty in Ibsen's Plays.” Dramatic Theory and Criticism: Greeks to Grotowski" Holt, Rinheart 638-647, 1972
7 Bull,John, "“The Establishment of Mainstream Theatre, 1946-1979.” The Cambridge History of British Theatre" 3 : 291-325, 2004
8 Huber, "“The Early Plays: Martin McDonagh, Shooting Star and Hard Man from South London.” The Theatre of Martin McDonagh: A World of Savage Stories" Carysfort 13-26, 2006
9 Greig, "“Rough Theatre.” Cool Britannia?: British Political Drama in the 1990s" Palgrave Macmillan 208-221, 2008
10 Jones, "“New theatre for new times: decentralization, innovation and pluralism, 1975-2000.”" 3 : 2004
11 Kurdi, "“Gender, Sexuality, and Violence in the Work of Martin McDonagh.” The Theatre of Martin McDonagh: A World of Savage Stories" Carysfort 96-115, 2006
12 Castleberry, "“Comedy and Violence in The Beauty Queen of Leenane.”" Routledge 41-59, 2007
13 Doyle, "“Breaking bodies: The presence of violence on Martin Mcdonagh‘s stage.”" Routledge 92-110, 2007
14 Megson, "‘The Spectacle is Everywhere’: Tracing the Situationist Legacy in British Playwrighting Since 1968" 14 (14): 17-28, 1968
15 Sierz, "We all need stories': the politics of in-yer-face theatre.Cool Britannia?: British Political Drama in the 1990s" Palgrave Macmillan 23-37, 2008
16 Graver, "Violent Theatricality: Displayed Enactments of Aggression and Pain" 47 (47): 43-64, 1995
17 Urban, Ken, "Towards a Theory of Cruel Britania: Coolness, Cruelty, and the ‘Nineties’" 20 (20): 354-371, 2004
18 Tönnies, "The ‘Sensationalist Theatre of Cruelty’ in the 1990s Britain" 9 : 57-71, 2002
19 Derrida, "The Theater of Cruelty and the Closure of Representation.” Performance II" Routledge 3-24, 2003
20 Dromgoole, "The Full Room: An A-Z of Contemporary Playwrighting" Methuen 2002
21 McDonagh, "The Beauty Queen of Leenane and Other Plays" Vintage 1998
22 Saumders, "The Apocalyptic Theatre of Sarah Kane" Universitätsverlag 123-136, 2002
23 Ravenhill, "Shopping and Fucking" A&C Black 2003
24 이근삼, "Representative Modern and European Dramas" Pan Korea 1978
25 Fischer-Lichte, "Reality and Fiction in Contemporary Theatre" 33 (33): 84-96, 2008
26 Pavis, "Ravenhill and Durringer, or the Entente Cordiale misunderstood" 14 (14): 4-15, 2004
27 Vandevelde, "Postmodern theatricality in the Dutch/Flemish adaptation of Martin McDonagh's The Leenane Triology" Routledge 77-91, 2007
28 Reinelt, "Politics, Playwriting, Postmodernism: An Interview with David Edgar" 14 (14): 42-53, 2004
29 Scheie, "Performing Degree Zero" 52 (52): 161-182, 2000
30 O'Toole, "Murderous Laughter" 24 : 12-, 1997
31 Inns, "Modern British Drama: The Twentieth Century" Cambridge UP 2002
32 Wilson, "Macabre Merriment in The Beauty Queen of Leenane.The Theatre of Martin McDonagh: A World of Savage Stories" Carysfort 27-41, 2006
33 Saumders, "Love Me Or Kill Me:Sarah Kane and the Theatre of Extremes" Manchester University 2002
34 Saumders, "Just a Word on a Page and there is the Drama.: Sarah Kane's Theatrical Legacy" 13 (13): 97-110, 2003
35 Saumders, "Introduction. Cool Britannia?: British Political Drama in the 1990s" Palgrave Macmillan 1-22, 2008
36 Sierz, "In-yer-face Theatre: Mark Ravenhill and 1990s Drama.British Drama of the 1990s." Universtätsverlagc 107-122, 2002
37 Eldridge, "In-Yer-Face and After" 23 (23): 55-58, 2003
38 Sierz, "In-Yer-Face Theatre" Faber and Faber 2001
39 Austin,John, "How to do Things with Words" Havard UP 1975
40 Tomlin,Liz, "English theatre in the 1990s and beyond.Cambridge History of British Theatre: Since 1895" 3 (3): 498-512, 2004
41 Zola, "Dramatic Theory and Criticism: Greeks to Grotowski" Holt, Rinheart and Winston 692-719, 1974
42 Kane,Sarah, "Drama with Balls" Guardian 12-, 1998
43 Foucault,M, "Discipline and Punish: The Birth of the Prison" Peregrine 1977
44 Urban,Ken, "Cruel Britannia. Cool Britannia?: British Political Drama in the 1990s" Palgrave Macmillan 38-55, 2008
45 Luckhurst, Mary, "Contemporary English Theatre: Why Realism?" 9 : 73-84, 2002
46 Kane,Sarah, "Complete Plays" Methuen 2001
47 Nikcvic, "British Brutalism, the ‘New European Drama’, and the Role of the Director" 21 (21): 255-272, 2005
48 Billington, "Billington,Michael & Kate Stratton.The Beauty Queen of Leenan.:1 April.2008"
49 Sugiera, "Beyond Drama: Writing for Postdramatic Theatre" 29 (29): 16-28, 2004
50 Urban, Ken, "An Ethics of Catastrophe: The Theatre of Sarah Kane" 23 (23): 56-66, 2001
51 Ravenhill, "A Tear in the Fabric: the James Bulger Murder and New Theatre Writing in the Nineties" 20 (20): 305-314, 2004
52 Gottlieb, "1979 and After: A View" 3 : 412-425, 2004
53 Rebellato,Dan, "'Because it feels fucking amazing’: Recent British drama and bodily mutilation.Cool Britannia?: British Political Drama in the 1990s" Palgrave Macmillan 192-207, 2008
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