푸에르자 부르타 웨이라에 나타난 공간성 연구 - 앙리 르페브르의 공간 생산 이론을 중심으로 = A Study of Spatiality in Fuerza Burta Wayra Based on Henri Lefebvre’s Theory of Spatial Production

다국어 초록 (Multilingual Abstract)

This study examines the relationship between stage and audience, performer and audience in performing arts, focusing on Fuerza Burta Wayra. Based on Henri Lefebvre's theory of Spatial Production, the space in which the work is performed is not fixed but constantly changing. This study focuses on this ever-changing relationship by examining the changes in the position of the stage and the audience during the performance. Through this analysis, the stage space where the work is performed is examined as a space that is expanded and re-created through the relationship with the audience, while redefining the meaning of stage space beyond the perception of reproduction space or abstract space. This will bring about a visual shift, suggesting that the space where performing arts are established is not a physical and a priori space that has already existed absolutely, but a space of social production that is constantly changing and expanding through interaction and relationship.