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    ‘개념시대(Conceptual Age)’의 3D 프린팅에 기반한 인공물(artifact)의 복잡계적 특성 - 유럽의 3D 프린팅 디자인을 중심으로 - = Complex System Features of the Artifact based 3D Printing in the ‘Conceptual Age' - Focusing on Europe’s 3D printing design works -

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    https://www.riss.kr/link?id=A104982727

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Art and technology are creating new genres and experiences through the "fusion" that from the beginning until now. On the existing knowledge imaginative fusion "creative sensibility and imagination'is living a concept era that emerged as important keywords. What is at an altitude of 'conceptual era" beyond the age of information? This paper covers the artifacts of "conceptual era’ using 3D printing technology by limiting the characteristics of self-organization and emergence in complex system The artifacts using the 3D Printing is also not restricted in the space• time content or subject of the work. This individual has been a leader in recognizing the tremendous changes in the because they can create their own artifacts.
    If it is one of the artists to create something from nothing, 3D printing makes it possible for anyone to be an artist.
    Living in the digital world is experiencing its own vast amounts of data, a variety of contents everyday can be art. In this view, properties and dismantle complex systems theory is flexible, altematively, the association is similar in that characterictics of the interactive aspects of digital art.
    What are the boundaries of everyday life and Distinction between and digital artcreated by the Science and Techonology is in what is more creative.
    If you see that it a1so has some limitations issue of 'imagination’.
    The imagination is the that is responsible for the emotiona1 areas of the human brain. Empathy is spurious signa1s in the brain of a universa1 dimension is an expression of emotion that can only be a human. In other words, this is the premium of which can be human only ,conceptua1 age'.
    Life as it cou1d be, that is, the current that living a ’that enables thought life’ element of creativity in digita1 aesthetics Maybe it depends on whether you can implement your life? In view that information and vast data from the digita1 wor1d, programs are experiencing a variety of contents and which wi11 live within itself can be an complex systems theory is similar to the characteristics of the various artifacts using the 3D printing techniques.
    The resu1ts created by the users' interaction and participation characteristics can be seen that there is a complete correlation characteristic of self-organization and emergence. 3D printing wi11 print a11 the objects of everyday human beings themselves. In conceptua1 era that is being operated Complex system, 3D printing enables a new visions for the definition of digita1 artifacts, namely, contemporary art.
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    Art and technology are creating new genres and experiences through the "fusion" that from the beginning until now. On the existing knowledge imaginative fusion "creative sensibility and imagination'is living a concept era that emerged as important key...

    Art and technology are creating new genres and experiences through the "fusion" that from the beginning until now. On the existing knowledge imaginative fusion "creative sensibility and imagination'is living a concept era that emerged as important keywords. What is at an altitude of 'conceptual era" beyond the age of information? This paper covers the artifacts of "conceptual era’ using 3D printing technology by limiting the characteristics of self-organization and emergence in complex system The artifacts using the 3D Printing is also not restricted in the space• time content or subject of the work. This individual has been a leader in recognizing the tremendous changes in the because they can create their own artifacts.
    If it is one of the artists to create something from nothing, 3D printing makes it possible for anyone to be an artist.
    Living in the digital world is experiencing its own vast amounts of data, a variety of contents everyday can be art. In this view, properties and dismantle complex systems theory is flexible, altematively, the association is similar in that characterictics of the interactive aspects of digital art.
    What are the boundaries of everyday life and Distinction between and digital artcreated by the Science and Techonology is in what is more creative.
    If you see that it a1so has some limitations issue of 'imagination’.
    The imagination is the that is responsible for the emotiona1 areas of the human brain. Empathy is spurious signa1s in the brain of a universa1 dimension is an expression of emotion that can only be a human. In other words, this is the premium of which can be human only ,conceptua1 age'.
    Life as it cou1d be, that is, the current that living a ’that enables thought life’ element of creativity in digita1 aesthetics Maybe it depends on whether you can implement your life? In view that information and vast data from the digita1 wor1d, programs are experiencing a variety of contents and which wi11 live within itself can be an complex systems theory is similar to the characteristics of the various artifacts using the 3D printing techniques.
    The resu1ts created by the users' interaction and participation characteristics can be seen that there is a complete correlation characteristic of self-organization and emergence. 3D printing wi11 print a11 the objects of everyday human beings themselves. In conceptua1 era that is being operated Complex system, 3D printing enables a new visions for the definition of digita1 artifacts, namely, contemporary art.

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    참고문헌 (Reference)

    1 유선애, 2014

    2 이세리, "현대 오뜨 꾸띄르 혁신의 디자이너 아리스 반 헤르펜 연구" 이화여대 디자인 연구소 2013

    3 "숨겨진 질서: 복잡계는 어떻게 진화하는가" 사이언스북스 1995

    4 니콜라스 네그로폰테, "디지털이다" 커뮤니케이션 북스 1999

    5 Paul, C, "디지털 아트" 시공아트 2007

    6 마단 사럽, "데리다와 푸코 그리고 포스트모더니즘" 인간사랑 1996

    7 Katherine Hayles, "How we became Posthuman" Univ. of Chicago 1999

    8 Katherine Hayles, "Fiture Nature" 1996

    9 Stephen Jones, "Artifidial Life VIII" 2002

    10 Gerfired Stocker, "Ars Electronica Center" 1996

    1 유선애, 2014

    2 이세리, "현대 오뜨 꾸띄르 혁신의 디자이너 아리스 반 헤르펜 연구" 이화여대 디자인 연구소 2013

    3 "숨겨진 질서: 복잡계는 어떻게 진화하는가" 사이언스북스 1995

    4 니콜라스 네그로폰테, "디지털이다" 커뮤니케이션 북스 1999

    5 Paul, C, "디지털 아트" 시공아트 2007

    6 마단 사럽, "데리다와 푸코 그리고 포스트모더니즘" 인간사랑 1996

    7 Katherine Hayles, "How we became Posthuman" Univ. of Chicago 1999

    8 Katherine Hayles, "Fiture Nature" 1996

    9 Stephen Jones, "Artifidial Life VIII" 2002

    10 Gerfired Stocker, "Ars Electronica Center" 1996

    11 Daniel H. Pink, "A Whole New Mind" Penguin Group 2005

    12 박세환, "3d 프린팅 산업동향"

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2028 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2019-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2017-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
    2010-03-01 학술지명변경 한글명 : 유럽문화예술학회 -> 유럽문화예술학논집
    외국어명 : Europe Culture A RTS Association -> The Journal of Europe Culture Arts
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