유비쿼터스 퍼포먼스의 발전과정에 대한 고찰 = A study on the Development of Ubiquitous Performance

다국어 초록 (Multilingual Abstract)

Innovation in technology has changed the the form and meaning of performance work and its appreciation in its long history. Applied to performance art, the concept of digital media and ubiquitous also created new implications in aesthetics and technology. As a matter of fact, new elements of ubiquitous performace- new relaionship between creators and the audience and the extension of the notion of 'audience'- are not newly introduced. These elements have been tried throughout hundreds years of performance history and is far more developed thanks to digital communication. In this study, we will discuss how these elements have been developed from the earlier text-based ubiquitous performance to 3D virtual world and contributed to the construction of the virtual culture.

참고문헌 (Reference)

1 "http://www.w2vr.com/concepts/concepts.html"

2 "http://www.synaesthetic-theatre.com/"

3 "http://improveverywhere.com/"

4 "http://en.wikipedia.org/wiki/Theatre"

5 "http://en.wikipedia.org/wiki/Shakespeare_in_performance"

6 "http://en.wikipedia.org/wiki/Improvisational_theatre"

7 Virtual Scenography, "Virtual Scenography: The Actor/Audience/Computer Interface" 32 (32): 1996

8 Schrum, Stephen Alan, "Theatre in cyberspace" Peter Lang Publishing 1999

9 Benjamin, Walter, "The Work of Art in The Age of echanical Reproduction" CreateSpace 2009

10 Worthen, W.B, "Shakespeare and the authenticity ofperformance" Cambridge University Press 1997

11 Packer, Randall, "Multimedia: From Wagner to Virtua l Reality" W. W. Norton & Company 2001

12 Iacovoni, Alberto, "Game Zone" Birkhäuser 2003

13 Thom, Paul, "For an audience" Temple University Press 1993

14 Laurel, B, "Computers as Theatre, Reading" Addison-Wesley 1991