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      이영도 시조 연구

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      https://www.riss.kr/link?id=A100318828

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      다국어 초록 (Multilingual Abstract)

      Jeongun(丁芸) Lee, Young-do (李永道), who is deemed a representative female poet of Korea, began her literary career in May, 1946 when she published <Jeya> in a publication called 『Bamboo Sprout, (죽순)』.
      Her Korean identity, which was formed through her Confucius upbringing as well as traditional value system of her family, had a strong presence in her work, and she remained a quintessential figure in Korea’s female sijo poet circle for 30 years until her passing in 1976. Despite the highly acclaimed talent and her noble aspirations, it is undeniable that her works did not receive fair assessment due to her private life. Against this backdrop, it is necessary to deeply inquire the literary values and beauty of Young-do Lee’s sijo.
      As mentioned, Young-do Lee is a solidly established figure in Korea’s modern poetry. The following illustrates the spirit and the world of her poetry.
      First, Young-do Lee lived through turbulent times and it was her country that served as the source of her sijo work. Assessing the multitude of dramatic historical events such as Japanese colonization, 8.15 Liberation of Korea, division of the nation, 6.25 Korean war, 4.19 Revolution, 5.16 military coup, it is natural that patriotism was strongly present in her work who was one of the intellectuals at the time.
      Second, Young-do Lee is a poet who had experienced more pain than others in terms of the turbulence of the time. Her Korean identity, which was formed through her Confucius upbringing as well as traditional value system of her family, had a strong presence in her work.
      Third, Jeongun Lee, Young-do is a poet of longing. The abundance and richness of her emotions were fortified through the relationship with another poet, Chihwan Yu.
      Fourth, Young-do Lee is a poet opened up new horizons for the modennization. The transparency of image reflected in her work and the elaborate nature of her language are outstanding.
      In summary, Young-do Lee was a true artist, who has a strong presence in Korea’s modern poetry society, and who was a poet of patriotism, poet who suffered the turbulence of the times, and a poet of longing.
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      Jeongun(丁芸) Lee, Young-do (李永道), who is deemed a representative female poet of Korea, began her literary career in May, 1946 when she published <Jeya> in a publication called 『Bamboo Sprout, (죽순)』. Her Korean identity, which...

      Jeongun(丁芸) Lee, Young-do (李永道), who is deemed a representative female poet of Korea, began her literary career in May, 1946 when she published <Jeya> in a publication called 『Bamboo Sprout, (죽순)』.
      Her Korean identity, which was formed through her Confucius upbringing as well as traditional value system of her family, had a strong presence in her work, and she remained a quintessential figure in Korea’s female sijo poet circle for 30 years until her passing in 1976. Despite the highly acclaimed talent and her noble aspirations, it is undeniable that her works did not receive fair assessment due to her private life. Against this backdrop, it is necessary to deeply inquire the literary values and beauty of Young-do Lee’s sijo.
      As mentioned, Young-do Lee is a solidly established figure in Korea’s modern poetry. The following illustrates the spirit and the world of her poetry.
      First, Young-do Lee lived through turbulent times and it was her country that served as the source of her sijo work. Assessing the multitude of dramatic historical events such as Japanese colonization, 8.15 Liberation of Korea, division of the nation, 6.25 Korean war, 4.19 Revolution, 5.16 military coup, it is natural that patriotism was strongly present in her work who was one of the intellectuals at the time.
      Second, Young-do Lee is a poet who had experienced more pain than others in terms of the turbulence of the time. Her Korean identity, which was formed through her Confucius upbringing as well as traditional value system of her family, had a strong presence in her work.
      Third, Jeongun Lee, Young-do is a poet of longing. The abundance and richness of her emotions were fortified through the relationship with another poet, Chihwan Yu.
      Fourth, Young-do Lee is a poet opened up new horizons for the modennization. The transparency of image reflected in her work and the elaborate nature of her language are outstanding.
      In summary, Young-do Lee was a true artist, who has a strong presence in Korea’s modern poetry society, and who was a poet of patriotism, poet who suffered the turbulence of the times, and a poet of longing.

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      참고문헌 (Reference)

      1 정소파, "한송이 향 맑은 白梅" (31) : 1976

      2 최동호, "한국현대문학 50년" 민음사 1995

      3 한춘섭, "한국시조큰사전" 을지출판공사 1985

      4 이영도, "청저집" 문예사 1954

      5 이영도, "청저집" 문예사 1954

      6 신미경, "이영도 시조의 주제별 분석" 청람어문학회 2 : 1989

      7 유동순, "이영도 시조의 생명성 연구 : 에코페미니즘적 관점을 중심으로" 경기대학교 대학원 2011

      8 오승희, "이영도 시조의 공간 연구" 한국교원대학교한국어문 교육연구소 13 : 2004

      9 조동화, "이영도 시조, 그 사상(思想)의 발자취" 향토문학연구회 12 : 2009

      10 김순금, "이영도 시조 연구 : 한을 중심으로" 중부대학교 인문사회과학대학원 2004

      1 정소파, "한송이 향 맑은 白梅" (31) : 1976

      2 최동호, "한국현대문학 50년" 민음사 1995

      3 한춘섭, "한국시조큰사전" 을지출판공사 1985

      4 이영도, "청저집" 문예사 1954

      5 이영도, "청저집" 문예사 1954

      6 신미경, "이영도 시조의 주제별 분석" 청람어문학회 2 : 1989

      7 유동순, "이영도 시조의 생명성 연구 : 에코페미니즘적 관점을 중심으로" 경기대학교 대학원 2011

      8 오승희, "이영도 시조의 공간 연구" 한국교원대학교한국어문 교육연구소 13 : 2004

      9 조동화, "이영도 시조, 그 사상(思想)의 발자취" 향토문학연구회 12 : 2009

      10 김순금, "이영도 시조 연구 : 한을 중심으로" 중부대학교 인문사회과학대학원 2004

      11 이숙례, "이영도 시조 연구" 부산교육대학교 교육대학원 2002

      12 김복숙, "이영도 시조 연구" 금오공과대학교 교육대학원 2005

      13 이점성, "이영도 시조 연구" 建國大學校 敎育大學院 1997

      14 高仁子, "이영도 詩調 연구" 誠信女子大學校 大學院 1990

      15 임종찬, "의미연결에서 본 丁芸 이영도 時調 연구" 한국시조학회 (28) : 159-173, 2008

      16 이영도, "애정은 기도처럼" 범우사 1976

      17 이영도, "애정은 기도처럼" 범우사 1976

      18 이영도, "석류" 중앙출판공사 1968

      19 이영도, "석류" 중앙출판공사 1968

      20 데이비드 폰태너, "상징의 비밀" 문학동네 1998

      21 베네딕트 앤더슨, "상상의 공동체" 나남출판 2006

      22 유치환, "사랑했으므로 행복하였네라" 중앙출판공사 1995

      23 조현경, "사랑은 詩보다 아름다웠다" 영학출판사 1984

      24 이영도, "비둘기 내리는 뜨락" 민조사 1966

      25 이영도, "비둘기 내리는 뜨락" 민조사 1966

      26 이상섭, "문학연구의 방법" 탐구당 1992

      27 민병도, "닦을수록 눈부신 3장의 미학" 목언예원 2010

      28 정명환, "계간 수필" 수필문우회 2012

      29 유지화, "가람 이병기 시조 연구 : 한국적 미의식과 혁신론을 중심으로" 국민대학교 대학원 2009

      30 김동준, "時調文學論" 進明文化社 1974

      31 이병기, "時調文學硏究" 정음사 1980

      32 이근배, "整齊美와 詩의 溫度" (31) : 1976

      33 정완영, "情恨의 詩人" (31) : 1976

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.41 0.41 0.49
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.55 0.55 1.045 0.13
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