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      남원 사계정사 시문학에 나타난 공간 인식과 그 의미 = The Space Recognition and Meaning about Namwon Sagye-jeongsa in the Poems

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      https://www.riss.kr/link?id=A110107680

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Namwon Sagae-jeongsa was the place where Sagae Bang Eung-hyeon(1523∼1589) lived in seclusion. After his death, his grandson Mano Bang Won-jin(1577∼1659) rebuilt Sagae-jeongsa. The 󰡔SagaeSilgi󰡕 contains the poetic about Sagae-jeongsa that Bang Won-jin collected. Many distinguished figures of the time wrote these poems, and the individuals who created poetry about Sagae-jeongsa came from diverse regions, backgrounds, and scholarly group(school).
      When these Sagae-jeongsa poems are analyzed through Samganron, the site is primarily represented through three cognitive frameworks: “present-space”, “space-past-future”, and “past-person-space”. In the “present-space” framework, Sagae-jeongsa is depicted as a place to be relized a life of reclusion. In the “space-past-future” framework, Sagae-jeongsa is portrayed as a space in which Bang Eung-hyeon’s seclusion disposition is passed down. In the “past-person-space” framework, the poet expresses the sadness by the absence of Bang Eung-hyeon.
      These poems show that Sagae-jeongsa held the potential to serve as the center for forming a sidan, a circle of poets who composed and interacted around the site. Furthermore, the spatial perceptions present in these works continued to be maintained and inherited by the later generations of Bang Won-jin.
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      Namwon Sagae-jeongsa was the place where Sagae Bang Eung-hyeon(1523∼1589) lived in seclusion. After his death, his grandson Mano Bang Won-jin(1577∼1659) rebuilt Sagae-jeongsa. The 󰡔SagaeSilgi󰡕 contains the poetic about Sagae-jeongsa that Ban...

      Namwon Sagae-jeongsa was the place where Sagae Bang Eung-hyeon(1523∼1589) lived in seclusion. After his death, his grandson Mano Bang Won-jin(1577∼1659) rebuilt Sagae-jeongsa. The 󰡔SagaeSilgi󰡕 contains the poetic about Sagae-jeongsa that Bang Won-jin collected. Many distinguished figures of the time wrote these poems, and the individuals who created poetry about Sagae-jeongsa came from diverse regions, backgrounds, and scholarly group(school).
      When these Sagae-jeongsa poems are analyzed through Samganron, the site is primarily represented through three cognitive frameworks: “present-space”, “space-past-future”, and “past-person-space”. In the “present-space” framework, Sagae-jeongsa is depicted as a place to be relized a life of reclusion. In the “space-past-future” framework, Sagae-jeongsa is portrayed as a space in which Bang Eung-hyeon’s seclusion disposition is passed down. In the “past-person-space” framework, the poet expresses the sadness by the absence of Bang Eung-hyeon.
      These poems show that Sagae-jeongsa held the potential to serve as the center for forming a sidan, a circle of poets who composed and interacted around the site. Furthermore, the spatial perceptions present in these works continued to be maintained and inherited by the later generations of Bang Won-jin.

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