Taking the painting, 「Landscape of the Jiuqu River in the Wuyi Mountain」 as the study object, which was produced in the middle of Qing Dinasty and collected by the British Library, this paper analyzes the scenery names recorded in the pa...
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https://www.riss.kr/link?id=A106879576
정조하 (우석대학교) ; 노재현 (우석대학교) ; 강정 (우석대학교) ; Cheng, Zhao-Xia ; Rho, Jae-Hyun ; Jiang, Cheng
2019
Korean
KCI등재
학술저널
11-31(21쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Taking the painting, 「Landscape of the Jiuqu River in the Wuyi Mountain」 as the study object, which was produced in the middle of Qing Dinasty and collected by the British Library, this paper analyzes the scenery names recorded in the pa...
Taking the painting, 「Landscape of the Jiuqu River in the Wuyi Mountain」 as the study object, which was produced in the middle of Qing Dinasty and collected by the British Library, this paper analyzes the scenery names recorded in the painting, and describes the landscape of the mountain, port and ships, architectural elements, civil elements, character, stone inscription and other scenery in the painting. The investigation results of the cultural landscape properties of each Gok are as follows: According to statistics, there are 28 architectural elements in the painting, including 7 pavilions (25%), 4 temples (14.3%), 3 Colleges and Taoist temple (10.7%), 2 Dowon(道院) and villages (7.1%); 29 civil elements, including 9 holes (31%), 6 Historical Sites (20.7%), 3 Stations(臺) (10.3%), 2 Ferries, 2 Bridges, and 2 Ponds (6.9%), 1 Garden, 1 Gate, 1 Mine(坑), 1 Well and 1 Remains(3.4%). These physical factors and civil factors are the important relics reflected the cultural landscape attributes of Wuyi-Gugok in the middle of the 18th century. Among the shape element in each Gok, the 1<sup>st</sup> Gok have 12 shape elements(21.1%), the 5<sup>th</sup> Gok 11(19.3%), the 4<sup>th</sup> Gok 9(15.8%), the 9<sup>th</sup> Gok 8(14%), the 3<sup>rd</sup> Gok 7(12.3%), the 6<sup>th</sup> Gok 4(7%), the 2<sup>nd</sup> Gok 3(5.3%), the 7<sup>th</sup> Gok 2(3.5%), and the 8<sup>th</sup> Gok 1(2%). Through collation, it is found that the 1<sup>st</sup> Gok, 5<sup>th</sup> Gok and 4<sup>th</sup> Gok have more prominent cultural landscape characteristics. In addition, according to the description of scenic spot types in 『Muisanji(武夷山志)』, there are 38 types of scenery description in the painting, of which, the three scenery of big rock, peak, small rock occupy the vast majority. This reflects the Danxia(丹霞) landform characteristics of Wuyi-Gugok. The cultural connotation of Wuyi Mountain expressed and contained in the painting is analyzed and interpreted, and it is found that the Jiuqu(九曲) River in the Wuyi Mountain has Neo-confucianism culture, Taoism culture, Buddhism culture, Tea culture and so on. In addition, among the 171 scenery names shown in the painting, there are altogether 7 stone inscriptions that are consistent with or have the same meaning as the rock inscriptions site, including 3 for inscriptions praising the landscape, 3 for philosophical inscription and 1 for auspicious language inscription, which is considered as the important basis for the mutual textuality between the pictures and the stone inscriptions.
『임원경제지』 「섬용지」와 문화재수리 표준시방서를 통해 본 전통조경공간 설계 시공방법
고군산 선유팔경(仙遊八景)의 설정과정과 집경(集景) 특성
수목원 방문객 만족도 증진을 위한 개선방향 - 제이드가든 내 4개 주제정원을 대상으로 -