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      문학과 성, 그리고 정치: 예이츠의 초기 시를 중심으로

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      https://www.riss.kr/link?id=A82610611

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      다국어 초록 (Multilingual Abstract)

      Aiming to understand the poetry of W. B. Yeats in terms of gender, sexuality, and politics, this paper reads some major poems of his early years. The first part of the paper reads the poems in which the masculine world of war, science, and political power is negated in favor of the feminine world of nature, poetry, and wisdom. The present writer of the paper considers that the femininity of these poems, expressed in the pastoral world of the shepherd, or the stories of Irish legendary King Goll, Fergus, and the fairyland, comes from Yeats's poetic attempt to surmount the British imperial and materialistic world by enhancing the Irish cultural traditions and values. The next part reads a group of poems which deal with Yeats's love of Maud Gonne. Using the image of the rose or the courtly genre, both of them being old traditional poetic conventions, the poet represents Maud Gonne either as a goddess of eternal beauty or a woman of heroic nobility. However, she is also represented as a woman of lonely face and pilgrim soul, a woman who brings the sorrow of love, or a woman repeatedly associated with the tragic world of Troy. This ambivalence or double vision in the poet's representation of her seems to result form Yeats's ambiguous attitude to Maud Gonne and her revolutionary and social work. The last part of the paper deals with two poems and a play which represent Ireland as a woman. The use of a woman figure as symbolic image of Ireland, especially Yeats's use of Cathleen ni Houlihan in his poetry and drama, is important, because it most distinctively reveals the relations between sexual politics and aesthetic value in the early poetry of Yeats. In this respect, the writer of this paper notes that the woman figure in these works is a highly romanticized and idealized one, rather than a real one with human body and sexual desire, and thinks that this is related to Yeats's version of Iriish nationalism with its strengths and limitations.
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      Aiming to understand the poetry of W. B. Yeats in terms of gender, sexuality, and politics, this paper reads some major poems of his early years. The first part of the paper reads the poems in which the masculine world of war, science, and political ...

      Aiming to understand the poetry of W. B. Yeats in terms of gender, sexuality, and politics, this paper reads some major poems of his early years. The first part of the paper reads the poems in which the masculine world of war, science, and political power is negated in favor of the feminine world of nature, poetry, and wisdom. The present writer of the paper considers that the femininity of these poems, expressed in the pastoral world of the shepherd, or the stories of Irish legendary King Goll, Fergus, and the fairyland, comes from Yeats's poetic attempt to surmount the British imperial and materialistic world by enhancing the Irish cultural traditions and values. The next part reads a group of poems which deal with Yeats's love of Maud Gonne. Using the image of the rose or the courtly genre, both of them being old traditional poetic conventions, the poet represents Maud Gonne either as a goddess of eternal beauty or a woman of heroic nobility. However, she is also represented as a woman of lonely face and pilgrim soul, a woman who brings the sorrow of love, or a woman repeatedly associated with the tragic world of Troy. This ambivalence or double vision in the poet's representation of her seems to result form Yeats's ambiguous attitude to Maud Gonne and her revolutionary and social work. The last part of the paper deals with two poems and a play which represent Ireland as a woman. The use of a woman figure as symbolic image of Ireland, especially Yeats's use of Cathleen ni Houlihan in his poetry and drama, is important, because it most distinctively reveals the relations between sexual politics and aesthetic value in the early poetry of Yeats. In this respect, the writer of this paper notes that the woman figure in these works is a highly romanticized and idealized one, rather than a real one with human body and sexual desire, and thinks that this is related to Yeats's version of Iriish nationalism with its strengths and limitations.

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      참고문헌 (Reference)

      1 "행복한 목동의 노래" 학문사 2003

      2 "Yeats's Nations: Gender Class and Irishness" Cambridge UP 1996

      3 "Yeats and the Beginning of the Irish Renaissance" 1970

      4 "The Variorum Edition of the Plays of W" Macmillan 1966

      5 "The Collected Plays of W" Macmillan 1953

      6 "Princeton Encyclopedia of Poetry and Poetics" Princeton Princeton UP 1974

      7 "Men and Feminism in Modern Literature" Macmillan 1985

      8 "Gender and History in Yeats's Love Poetry" 1993

      9 "Essays in Modern Irish Literature" 1880-19801985

      10 "Culture and Anarchy in Ireland" 1890-19391979

      1 "행복한 목동의 노래" 학문사 2003

      2 "Yeats's Nations: Gender Class and Irishness" Cambridge UP 1996

      3 "Yeats and the Beginning of the Irish Renaissance" 1970

      4 "The Variorum Edition of the Plays of W" Macmillan 1966

      5 "The Collected Plays of W" Macmillan 1953

      6 "Princeton Encyclopedia of Poetry and Poetics" Princeton Princeton UP 1974

      7 "Men and Feminism in Modern Literature" Macmillan 1985

      8 "Gender and History in Yeats's Love Poetry" 1993

      9 "Essays in Modern Irish Literature" 1880-19801985

      10 "Culture and Anarchy in Ireland" 1890-19391979

      11 "A Reader's Guide to the Plays of W" Macmillan 1984

      12 "A Reader's Guide to William Butler Yeats" 1959

      13 "A Commentary on the Collected Plays of W" Macmillan 1975

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2028 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.27 0.27 0.28
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.27 0.26 0.229 0.08
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