한국 현대시와 영화의 영향관계 연구 -1950년대 〈후반기〉 동인의 시를 중심으로- = A Study on the Influence Between Korean Modern Poetry and the Films -Focused on the Poetry of the 1950`s Coterie <Hubangee>-

다국어 초록 (Multilingual Abstract)

I studied about the 1950`s coterie <Hubangee> in this thesis. They made a distinctive characteristic of 1950`s modern poetry was influenced by the films. The films gave basic inspiration for the pictorial visual imagery was sought by 1950`s modem poets. We can find some cinematic techniques on their poetry for example the camera-eye technique and the developing method of the cinematic scene. Those techniques were not limited to emphasize visual image, but reflected also the critical attitude toward the social problems of those days. Park In-Hwan`s narrative realistic poems were the representative case. Moreover, the French Avant-garde Films Movement had much influences on the poetry of <Hubangee>. The avant-garde films held them spell bound with just the avant-garde image, and it had influence on their surrealistic techniques. Especially, Cho Hyang experimented on the Cine-Poem, a new formality that was experimented the basis of the cinematic technique. He intended to appear the criticism and the negation about those day`s pessimistic reality. According to this study, we can find the relationship of the influence between Korean modern poetry and the films was become serious in the 1950`s already. The films had very important influence on the poetry of <Hubangee> with the new modem aspect.