RISS 학술연구정보서비스

검색

인기 검색어

    다국어 입력

    http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

    변환된 중국어를 복사하여 사용하시면 됩니다.

    예시)
    • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
    • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
    닫기
    KCI등재 SCOPUS

    음악 이론 수업의 인지적 학습 접근법 = Teaching Strategies for Music Theory Classes ( Harmony , Ear Training and Sight Singing , and Music Analysis ) based on the Cognitive Domain

    한글로보기

    https://www.riss.kr/link?id=A105772637

    • 0

      상세조회
    • 0

      다운로드
    서지정보 열기
    • 내보내기
    • 내책장담기
    • 공유하기
    • 오류접수

    부가정보

    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    An ultimate objective in an educative process is preparing an individual for the moment that he/she can go on his/her own way. The purpose of music education is not only to develop music literacy and music intelligent, but also to develop critical thinking and creative thinking. The development of musical thinking skills can be gained through the higher order of thinking processes of analysis, synthesis, and evaluation which are upper levels of the cognitive development. The teaching stratiegies for harmony, ear traning and sight singing, and music analysis were designed based on comprehensive musicianship and the B1oom`s cognitive domain. Music courses should not be taught in isolation and fragmented fashion. All courses should be designed to complement and support each other to avoid unnecessay encroachment and duplication. Intradepartmental dialogue and perhaps adiministrative help may be needed to achieve an appropriate curricular balance. Instructional material must be presented in sequences that are intergrated and well structured to allow students to build upon previously acquired concepts. The most important aspect of music program is to offer a balance and variety of music expericence. In this aspect, all of music classes should be interrelated and implemented to performance. Music theory classes are often separated from performance by classifying either as performing or as theory classes. All students in different major should also learn music theory including harmony, and form and analysis to understand fundamentals of music. The fundamental knowledge of musical form and of the structural elements is essential for a comprehension of the subject. Music theory classes should involve performance while a performance class should include analysis of music being performed. In this aspect music education can focus on the overall objectives of developing critical thinking and creative thinking.
    번역하기

    An ultimate objective in an educative process is preparing an individual for the moment that he/she can go on his/her own way. The purpose of music education is not only to develop music literacy and music intelligent, but also to develop critical thi...

    An ultimate objective in an educative process is preparing an individual for the moment that he/she can go on his/her own way. The purpose of music education is not only to develop music literacy and music intelligent, but also to develop critical thinking and creative thinking. The development of musical thinking skills can be gained through the higher order of thinking processes of analysis, synthesis, and evaluation which are upper levels of the cognitive development. The teaching stratiegies for harmony, ear traning and sight singing, and music analysis were designed based on comprehensive musicianship and the B1oom`s cognitive domain. Music courses should not be taught in isolation and fragmented fashion. All courses should be designed to complement and support each other to avoid unnecessay encroachment and duplication. Intradepartmental dialogue and perhaps adiministrative help may be needed to achieve an appropriate curricular balance. Instructional material must be presented in sequences that are intergrated and well structured to allow students to build upon previously acquired concepts. The most important aspect of music program is to offer a balance and variety of music expericence. In this aspect, all of music classes should be interrelated and implemented to performance. Music theory classes are often separated from performance by classifying either as performing or as theory classes. All students in different major should also learn music theory including harmony, and form and analysis to understand fundamentals of music. The fundamental knowledge of musical form and of the structural elements is essential for a comprehension of the subject. Music theory classes should involve performance while a performance class should include analysis of music being performed. In this aspect music education can focus on the overall objectives of developing critical thinking and creative thinking.

    더보기

    동일학술지(권/호) 다른 논문

    동일학술지 더보기

    더보기

    분석정보

    View

    상세정보조회

    0

    Usage

    원문다운로드

    0

    대출신청

    0

    복사신청

    0

    EDDS신청

    0

    동일 주제 내 활용도 TOP

    더보기

    주제

    연도별 연구동향

    연도별 활용동향

    연관논문

    연구자 네트워크맵

    공동연구자 (7)

    유사연구자 (20) 활용도상위20명

    이 자료와 함께 이용한 RISS 자료

    나만을 위한 추천자료

    해외이동버튼