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      현대패션에 표현된 익명성 = The Anonymity Expressed in Contemporary Fashion

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      https://www.riss.kr/link?id=A108415410

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      다국어 초록 (Multilingual Abstract)

      This study aims to analyze how anonymity, one of the important social characteristics since the advent of the digital age, is expressed in contemporary fashion and what its implications are. For this, a literature study on anonymity and a case study on the expression of anonymity in contemporary fashion collections were conducted. The result is as follows. In the contemporary fashion collections, anonymity was expressed in creating the anonymous persona of designers who emphasized design collective, casting of amateur models, and the anonymous personas of models by wearing face covering items and daily uniforms. By these means, contemporary fashion designers seek the essence and authenticity of fashion design, dream of escaping into a fantasy world, highlight social problems, and reflect the thinking about the fluid identity of modern society, which defines their own identity. Through this study, it is meaningful to think about the meaning of clothing as a tool for projection of identity in modern society and to prepare basic data on anonymity from the point of view of contemporary fashion.
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      This study aims to analyze how anonymity, one of the important social characteristics since the advent of the digital age, is expressed in contemporary fashion and what its implications are. For this, a literature study on anonymity and a case study o...

      This study aims to analyze how anonymity, one of the important social characteristics since the advent of the digital age, is expressed in contemporary fashion and what its implications are. For this, a literature study on anonymity and a case study on the expression of anonymity in contemporary fashion collections were conducted. The result is as follows. In the contemporary fashion collections, anonymity was expressed in creating the anonymous persona of designers who emphasized design collective, casting of amateur models, and the anonymous personas of models by wearing face covering items and daily uniforms. By these means, contemporary fashion designers seek the essence and authenticity of fashion design, dream of escaping into a fantasy world, highlight social problems, and reflect the thinking about the fluid identity of modern society, which defines their own identity. Through this study, it is meaningful to think about the meaning of clothing as a tool for projection of identity in modern society and to prepare basic data on anonymity from the point of view of contemporary fashion.

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      참고문헌 (Reference)

      1 김선영, "현대 패션에 나타난 가면의 형태와 특성" 한국복식학회 58 (58): 13-25, 2008

      2 김선영, "패션컬렉션에 나타난 아이웨어(eyewear)에 관한 연구" 한국패션디자인학회 14 (14): 85-100, 2014

      3 예민희 ; 임은혁, "패션 디자이너의 페르소나 마케팅" 한국의류학회 39 (39): 446-456, 2015

      4 박경, "정체성, 젠더, 문화적 실천 : 여성들의 인터넷 상호작용" 경북대학교 대학원 2006

      5 이수인, "인도네시아 진보적 무슬림 여성들의 베일에 대한 인식과 실천: 파따얏 엔우 여성들을 중심으로" 아세아문제연구원 58 (58): 208-273, 2015

      6 김연희, "유니폼 유형별 디자인 상징표현 방식 및 준거에 관한 연구" 국민대학교 테크노디자인전문대학원 2004

      7 김완주, "슈퍼모던 환경에 대응하는 패션디자인의 특성" 서울여자대학교 대학원 2008

      8 김종길, "사이버공간에서의 자이인식과 복합정체성 수행" 한국사회이론학회 (33) : 201-245, 2008

      9 김대군, "사이버 공간에서의 자아정체성 확립 방안" 한국윤리학회 1 (1): 219-242, 2012

      10 Hwang, K. S., "사이버 공간, 자아 정체성과 익명성" 16 (16): 697-713, 2003

      1 김선영, "현대 패션에 나타난 가면의 형태와 특성" 한국복식학회 58 (58): 13-25, 2008

      2 김선영, "패션컬렉션에 나타난 아이웨어(eyewear)에 관한 연구" 한국패션디자인학회 14 (14): 85-100, 2014

      3 예민희 ; 임은혁, "패션 디자이너의 페르소나 마케팅" 한국의류학회 39 (39): 446-456, 2015

      4 박경, "정체성, 젠더, 문화적 실천 : 여성들의 인터넷 상호작용" 경북대학교 대학원 2006

      5 이수인, "인도네시아 진보적 무슬림 여성들의 베일에 대한 인식과 실천: 파따얏 엔우 여성들을 중심으로" 아세아문제연구원 58 (58): 208-273, 2015

      6 김연희, "유니폼 유형별 디자인 상징표현 방식 및 준거에 관한 연구" 국민대학교 테크노디자인전문대학원 2004

      7 김완주, "슈퍼모던 환경에 대응하는 패션디자인의 특성" 서울여자대학교 대학원 2008

      8 김종길, "사이버공간에서의 자이인식과 복합정체성 수행" 한국사회이론학회 (33) : 201-245, 2008

      9 김대군, "사이버 공간에서의 자아정체성 확립 방안" 한국윤리학회 1 (1): 219-242, 2012

      10 Hwang, K. S., "사이버 공간, 자아 정체성과 익명성" 16 (16): 697-713, 2003

      11 강민희 ; 이승우, "멀티 페르소나의 사례와 의미 - ‘부캐’를 중심으로" 한국문예창작학회 19 (19): 123-143, 2020

      12 장혜숙, "가면을 통한 캐릭터의 시각 표현성 확대에 관한 연구" 한국연극교육학회 29 (29): 249-276, 2016

      13 류재형, "‘음악대장’과 가면의 힘" 한국콘텐츠학회 16 (16): 754-766, 2016

      14 "Vogue US"

      15 "Vogue US"

      16 "Vogue US"

      17 "Vogue US"

      18 "Vogue US"

      19 "Vogue US"

      20 "Vogue US"

      21 "Vogue US"

      22 "Vogue US"

      23 "Vogue US"

      24 "Vogue US"

      25 "Vogue US"

      26 "Vogue US"

      27 "Vogue US"

      28 "Vogue US"

      29 "Vogue US"

      30 "Vogue US"

      31 "Vogue US"

      32 "Vogue US"

      33 "Vogue US"

      34 Foreman, K., "Vetements RTW Spring 2020"

      35 Phelps, N., "Vetements Fall 2022 menswear"

      36 Kim, M., "This cult fashion collective is Korea’s answer to Vetements"

      37 Satenstein, L., "This anonymous insta-famous Parisian stylist is making trash bags into treasures"

      38 Shearsmith, T., "The interview: Richard Quinn, fashion designer"

      39 Suh, A. -Y., "The influence of self-discrepancy on one's contributive behaviors in customer-based online communities" 4 (4): 35-54, 2011

      40 Nam, H. J., "The charm of masking [가림으로써 얻는 매력]"

      41 McDowell, C., "The anatomy of fashion" Phaidon 2013

      42 Felsenthal, J., "The Guerrilla Girls take Minnesota"

      43 Purcaru, A., "Robotic identity: Multi media fashion shows by Hussein Chalayan"

      44 Blanks, T., "Raf Simons Spring 2016 menswear"

      45 Yotka, S., "Raf Simons Spring 2002:“Woe unto those who spit on the fear generation…the wind will blow it back”"

      46 Choi, J. S., "Philosophical(Phenomenological) review of anonymity [익명성에 관한 철학적(현상학적) 고찰]" 16 : 275-303, 2000

      47 "Mass"

      48 Shin, K. H., "Masquerade[가면무도회]"

      49 Zacharek, S., "Martin Margiela: In his own words explores the revolutionary designer's sec rets—without ever showing his face"

      50 Borrelli-Persson, L., "Margiela Mania explodes at the fall shows"

      51 Yim, S. E., "King of masks [복면의왕]"

      52 Fury, A., "Junya Watanabe, One of fashion’s foremost thinkers"

      53 Fury, A., "How anonymous designers are trading on their creators' lack of ego"

      54 Deleon, J., "How Raf Simmons became the biggest cult icon in menswear"

      55 Kim, J., "Hide behind anonymity [익명성두이곱다]"

      56 "Hapsical - Raf Simons: 15 years of brilliance"

      57 Phelps, N., "Gucci Fall 2019 ready-to -wear"

      58 Mower, S., "Gucci Fall 2018 readyto-wear"

      59 Wilson, E., "Fashion's invisible man"

      60 Johnson, N., "Exclusive: Raf Simons on the internet, patience, and fashion’s serious fear of evolution"

      61 Hahn, R., "Exclusive: 69’s anonymous designer on the brand’s retrospective at MOCA"

      62 Barker, C., "Daft Punk’s fashion legacy:How the duo’s robot helmets used anonymity, style and technology to achieve global stardom on their own terms"

      63 Lee, H. J., "Creative direction in Maison Margiela – John Galliano as a case study" Sungkyunkwan University 2020

      64 Lee, G. H., "Conditions of the anonymous : The rise of anonymous movement in cyberspace" Seoul National University 2018

      65 Mower, S., "Comme des Garçons Fall 2006ready-to-wear"

      66 Leitch, L., "Chalayan 2018 Spring ready to wear"

      67 Bobb, B., "Can you wear a balaclava in real life? One Vogue writer puts the Fall 2018 trend to the test"

      68 Hong, G. H., "Anonymous artist, Banksy has appeared in New York! [얼굴 없는 예술가, 뱅크시(Banksy)가 뉴욕에 나타났다!]"

      69 "Anonymous"

      70 "Anonymous"

      71 Kim, K. -K., "Anonymity, abstraction and modernity" 21 : 249-272, 2003

      72 Rabimov, S., "Anonymity aesthetics. L’of ficiel"

      73 "Anonymity"

      74 "Anonymity"

      75 "Anonymity"

      76 Park, H., "Analysis on self-description in cyber space through anonymity" 6 (6): 61-80, 2008

      77 Wilson, E., "Adorned in dreams" Virago Press 1985

      78 Kim, J., "A study on persona manifestation through fashion style presentation" Seoul National University 2016

      79 최선영 ; 김민자, "20세기 중반 이후 후드 복식에 나타난 복식미" 한국복식학회 62 (62): 1-16, 2012

      80 Baek, J., "2020 Marketing trend : Multi persona" 54 (54): 56-63, 2020

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