RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      춤 散調에 관한 硏究  :  散調가 舞踊 創作에 미친 影響을 中心으로 THE SANJO thes is based on the influence of the Sanjo over creative dance in Korea = STUDY ON KOREAN DANCE

      한글로보기

      https://www.riss.kr/link?id=A2078082

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The Sanjo is a name of Korean folk music which is composed of typical Pansori, a music with recital of Korean poem and play of musical instruments. The Sanjo is not only a music ltself but also a dance. Therefore, when we speak about the Sanjo dance it should be performed with accompaniment piece of music. The first Sanjo dance was appeared on the stage when Mr. HAN Sung joon performed the Crane Dance.
      The origin of the Sanjo dance is known as the dance without unique style because it is true that the Sanjo music came from a music without typical format. We call the Sanjo dance as Hotun-choom dance which is known as most human dance in Korea because it is developed through free gesture to express human sentiment based on public and individual conciousness about the beauty since middle of Yi dynasty.
      The aesthetic factor and characteristics of the Sanjo music have greatly affected Korean dancers for their creative works in developing the themes and subjects.
      The artistic nature of the Sanjo dance is similar to that of Sanjo music which was originated from the Hotun-choom dance. It is also a good example of Korean dance which illustrates beautifully the personality of Korean people and essense of Korean dance. In addition, the Sanjo dance has good sense of expression which makes good harmony with contemporary aesthetic sense of Korean people. The Sanjo dance has played a vital role for influence upon the world of creative dance in Korea since its expression and sentiment went far beyond the thought of our monkind and it has also built a solid foundation for creative arts in the years to come.
      번역하기

      The Sanjo is a name of Korean folk music which is composed of typical Pansori, a music with recital of Korean poem and play of musical instruments. The Sanjo is not only a music ltself but also a dance. Therefore, when we speak about the Sanjo dance i...

      The Sanjo is a name of Korean folk music which is composed of typical Pansori, a music with recital of Korean poem and play of musical instruments. The Sanjo is not only a music ltself but also a dance. Therefore, when we speak about the Sanjo dance it should be performed with accompaniment piece of music. The first Sanjo dance was appeared on the stage when Mr. HAN Sung joon performed the Crane Dance.
      The origin of the Sanjo dance is known as the dance without unique style because it is true that the Sanjo music came from a music without typical format. We call the Sanjo dance as Hotun-choom dance which is known as most human dance in Korea because it is developed through free gesture to express human sentiment based on public and individual conciousness about the beauty since middle of Yi dynasty.
      The aesthetic factor and characteristics of the Sanjo music have greatly affected Korean dancers for their creative works in developing the themes and subjects.
      The artistic nature of the Sanjo dance is similar to that of Sanjo music which was originated from the Hotun-choom dance. It is also a good example of Korean dance which illustrates beautifully the personality of Korean people and essense of Korean dance. In addition, the Sanjo dance has good sense of expression which makes good harmony with contemporary aesthetic sense of Korean people. The Sanjo dance has played a vital role for influence upon the world of creative dance in Korea since its expression and sentiment went far beyond the thought of our monkind and it has also built a solid foundation for creative arts in the years to come.

      더보기

      목차 (Table of Contents)

      • Ⅰ. 序 論
      • 1. 主題 設定의 動機와 目的
      • 2. 硏究 方法 및 範圍
      • Ⅱ. 音樂的 背景
      • 1. 民俗樂 散調의 槪觀
      • Ⅰ. 序 論
      • 1. 主題 設定의 動機와 目的
      • 2. 硏究 方法 및 範圍
      • Ⅱ. 音樂的 背景
      • 1. 民俗樂 散調의 槪觀
      • 2. 散調 音律의 美感
      • 3. 舞踊과 音樂의 關係
      • Ⅲ. 散調춤의 形成
      • 1. 散調춤의 發生과 生成 要因
      • 2. 散調춤의 槪念과 藝術性
      • 3. 散調춤의 出現과 實際
      • Ⅳ. 散調춤이 舞踊 創作에 끼친 影響
      • 1. 춤의 內在律性
      • 2. 舞踊 創作의 內的 表出要素와 指向性
      • Ⅴ. 結 論
      • 參考文獻
      • 英文抄錄
      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼