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      American beauty  :  “Simplicity” in Aaron Copland’s rodeo

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      https://www.riss.kr/link?id=A35496215

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The music of Aaron Copland (1900-1990) has long been recognized for its unique "American" sound and distinctive individuality, as well as its great influence on American music. Copland's increasingly conscious and literal American orientation becomes especially apparent in Rodeo (1942); it is here that the composer portrays the American West through a concept of "simplicity" we have come to associate with American culture. This illusion of "being simple" is promoted through Copland sophist acted command of compositional techniques and musical language. Musical form, harmony, melody, and other elements in Rodeo all serve to create music that is heard as open, free and consistently interesting-much as we perceive the early days of the American West themselves. This study will help to define Copland's "simplicity" in Rodeo-"American" in sound.
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      The music of Aaron Copland (1900-1990) has long been recognized for its unique "American" sound and distinctive individuality, as well as its great influence on American music. Copland's increasingly conscious and literal American orientation becomes ...

      The music of Aaron Copland (1900-1990) has long been recognized for its unique "American" sound and distinctive individuality, as well as its great influence on American music. Copland's increasingly conscious and literal American orientation becomes especially apparent in Rodeo (1942); it is here that the composer portrays the American West through a concept of "simplicity" we have come to associate with American culture. This illusion of "being simple" is promoted through Copland sophist acted command of compositional techniques and musical language. Musical form, harmony, melody, and other elements in Rodeo all serve to create music that is heard as open, free and consistently interesting-much as we perceive the early days of the American West themselves. This study will help to define Copland's "simplicity" in Rodeo-"American" in sound.

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      참고문헌 (Reference)

      1 "Writings by Copland"

      2 "What to Listen For in Jazz" Yale University Press 1995

      3 "No Intermisions: The Life of Agnes de Mille" Litle Brown and Company 1996

      4 "Music After Modernism" Basic Books Inc Publishers 1979

      5 "Library of Congress" Aaron Copland Collection 1946

      6 "Library of Congress" Aaron Copland Colection 1946

      7 "Library of Congress" Aaron Copland Collection 1946

      8 "Library of Congres" Aaron Aaron Copland Colection 1946

      9 "Four Dance Episodes from Rodeo" Aaron 1942

      10 "Folk tunes sugested by the Agnes de Mille for possible use in Aaron Copland’s Rodeo" Published Scores

      1 "Writings by Copland"

      2 "What to Listen For in Jazz" Yale University Press 1995

      3 "No Intermisions: The Life of Agnes de Mille" Litle Brown and Company 1996

      4 "Music After Modernism" Basic Books Inc Publishers 1979

      5 "Library of Congress" Aaron Copland Collection 1946

      6 "Library of Congress" Aaron Copland Colection 1946

      7 "Library of Congress" Aaron Copland Collection 1946

      8 "Library of Congres" Aaron Aaron Copland Colection 1946

      9 "Four Dance Episodes from Rodeo" Aaron 1942

      10 "Folk tunes sugested by the Agnes de Mille for possible use in Aaron Copland’s Rodeo" Published Scores

      11 "Balet in One Act for piano solo by the composer" 1942

      12 "Appalachian Spring and Fanfare for Common Man" -8,

      13 "Agnes to Aaron Copland Transcripts in the hand of Agnes de Mille Library of Congress" Aaron Copland Collection 1942-1985

      14 "Aaron Copland: The life and Work of an Uncommon Man" Henry Holt and Company 1999

      15 "Aaron Copland: A Reader" Routledge 2004

      16 "A Second volume of American Ballads and Folk Songs" The MacMilan Company 1949

      17 "A Close-Up in Time"

      18 "1900 Through 1942" Aaron Martin’s Press 1984

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2022 평가예정 재인증평가 신청대상 (재인증)
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2015-03-04 학회명변경 영문명 : Music Institute of Ewha Womans University -> Ewha Music Research Institute KCI등재
      2015-02-24 학술지명변경 외국어명 : 미등록 -> journal of Ewha Music Research Institute KCI등재
      2012-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2008-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2007-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      2006-01-01 평가 등재후보 1차 FAIL (등재후보1차) KCI등재후보
      2004-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.28 0.28 0.21
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.24 0.26 0.543 0.05
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