关于敦煌歌辞无名氏作家的小考 = An Analysis of Anonymous Authors in Dun Huang Songs

다국어 초록 (Multilingual Abstract)

In the tradition of Chinese literature, anonymous authors, though their names and biographies may not be preserved, have made contributions arguably more significant than any named writer. Their works resonate with strong vitality, candidly reflecting the realities of life and expressing emotions more directly. The anonymous authors of Dun Huang Songs, rooted in the cultural background of the Dun Huang region in northwest China, encompass a diverse range of occupational backgrounds, including disgruntled literati, Taoist priests, and local leaders from border regions. These authors not only contributed to the creation of Dun Huang Songs but also played a central role in transcribing and disseminating Dun Huang manuscripts. The hidden identities behind the anonymity of Dun Huang Songs cannot be simply overlooked.
This research examines the anonymous authors of Dun Huang Songs based on their content, authorial status, and transmission methods. Generally, when discussing anonymous authors, it is often assumed that they hail from the common ranks of society, their voices emerging from the collective experiences of everyday life. This assumption finds its roots in longstanding literary traditions such as the 诗经 Book of Poetry and Han dynasty 乐府 Yuefu Poetry, where authors are conventionally associated with the common folk. However, the case of the anonymous authors of Dun Huang Songs defies such simplistic categorization. Influenced by the unique characteristics of the Dun Huang region and the literary genre in which they operated, these poets embody a complexity that transcends the boundaries of social status and conventional literary norms.

참고문헌 (Reference)

1 陶文鹏, "论唐宋词的戏剧性" 中国社会科学院文学研究所 (1) : 121-, 2008

2 龙建国, "论唐代曲子词" 贵州大学 (5) : 62-, 2000

3 高国潘, "敦煌民间文学" 联经出版公司 157-164, 1994

4 任二北, "敦煌歌辞总编" 凤凰出版社 1-13, 2014

5 刘尊明, "敦煌歌辞、敦煌词、民间词与文人词之考辨" 湖北大学 (2) : 6-, 1995

6 饶宗颐, "敦煌曲续论" 新文丰出版股份有限公司 128-, 1999

7 王重民, "敦煌曲子词集" 商务印书馆 17-, 1954

8 汤 君, "敦煌曲子词地理文化研究" 四川大学 2003

9 任二北, "敦煌曲初探" 凤凰出版社 367-379, 2013

10 张锡厚, "敦煌文学源流" 作家出版社 9-, 2000

11 颜廷亮, "敦煌文学概论" 甘肃人民出版社 119-, 1993

12 王兆鹏, "宋词的口头传播方式初探——以歌妓唱词为中心" 中国社会科学院文学研究所 (6) : 51-, 2004

13 谭新红, "宋词传播方式研究" 武汉大学出版社 2010

14 李恩周, "唐五代北宋词的叙事性研究" 北京大学 2019

15 陈人之, "云谣集研究汇录" 上海古籍出版社 13-, 1998

16 刘大杰, "中国文学发展史" 复旦大学出版社 123-, 2006

17 郑振铎, "中国俗文学史" 中国社会科学出版社 95-, 2009

18 Stephen Owen, "The Manuscript Legacy of the Tang: The Case of Literature" 67 (67): 297-, 2007

19 Imre Galambos, "Dunhuang Manuscript Culture : End of the First Millennium" De Gruyter 113-, 2020