Experimental cinema in the digital age

목차 (Table of Contents)

• CONTENTS
• Preface : The Colour of Time / Sean Cubitt = ⅶ
• Note on Editing and Sources = xⅶ
• Introduction = 1
• Ⅰ HISTORY = 11
• 1 Thoughts on Recent 'Underground' Film[1972] = 13
• 2 Presenting Avant-Garde Film in London[1974] = 27
• 3 The History We Need[1979] = 29
• Ⅱ ON OTHER ARTISTS = 39
• 4 On L$$\acute e$$ger, Vertov and The Flicker Film[1977] = 41
• 5 Kurt Kren[1975] = 54
• 6 Some Introductory Thoughts on Gidal's Films and Theory[1979] = 65
• 7 Takahiko Iimura - Getting the Measure of Time[1998] = 78
• Ⅲ DEBATES = 83
• 8 Stan Brakhage and Malcolm Le Grice Debate / Stan Brakhage ; Malcolm Le Grice[1978] = 85
• 9 Letters from Gidal and Le Grice / Peter Gidal ; Malcolm Le Grice[1978] = 128
• 10 Narrative Illusion vs. Structural Realism / Malcolm Le Grice ; P. Adams Sitney[1977] = 134
• Ⅳ GENERAL THEORY = 153
• 11 Real TIME／SPACE[1972] = 155
• 12 Material, Materiality, Materialism[1978] = 164
• 13 Problematising the Spectator's Placement in Film[1981] = 172
• 14 Towards Temporal Economy[1980] = 184
• 15 Cinemology[1982] = 210
• Ⅴ DIGITAL THEORY = 213
• 16 Outline for a Theory of the Development of Television[1970] = 215
• 17 Computer Film as Film Art[1974] = 219
• 18 The Implication of Digital Systems for Experimental Film Theory[1994] = 234
• 19 Kismet, Protogony and the Zap Splat Factor[1993] = 243
• 20 The Chronos Project[1995] = 251
• 21 Colour Abstraction - Painting - Film - Digital Media[1995] = 259
• 22 Mapping in Multi-Space - Expanded Cinema to Virtuality[1996] = 273
• 23 A Non-Linear Tradition - Experimental Film and Digital Cinema[1997] = 289
• 24 Art in the Land of Hydra-media[1998] = 297
• 25 Digital Cinema and Experimental Film - Continuities and Discontinuities[1999] = 310
• Index = 321