후기 현대미술에서의 스타일에 관한 연구 = A study of The Meaning of Style in Contemporary Paintings

다국어 초록 (Multilingual Abstract)

Style is one of the thorniest concepts to be dealt with in contemporary paintings, To Samuel Welsly, it was 'the dress of thought'; to Jonathan Swift, it was 'proper words in proper places'; to W. B. Yeats,'it was 'high breeding in word and in argument'. And so we could continue through several hundred characterizations.
The many senses of style can be classified into two broad types: the evaluate, and the descriptive. Under the first heading, style is thought of in a critical way: the features that makes someone or something stand out from an undistinguished background. In this sense, it implies a degree of excellence in artistic performance, as when someone is complimented for "having style". the second sense lack this value judgement and simply describes the set of distinctive characteristics that identify objects, persons, periods, or places.
Evaluate notions are an essential part of aesthetic approaches to artistic language and are implicit in such areas as art or literary criticism. Descriptive approaches are found more in scientific studies where there is a concern for objective identification.
In this paper, focussing on the former, I discuss the postmodernism art on style. In the consumer society, consumers demand a highly aesthetic productions representing their desires. So we can realize that the style is the most important thing in artistic activities more than any times. In contemporary paintings, stylistic identity of artist means the quality of artwork.