以极简风格为视角的电影海报美学研究 = Research on the aesthetics of movie posters from the perspective of minimalist style

다국어 초록 (Multilingual Abstract)

The movie poster is the first public information released on the eve of the release of a new work, and it is also the most important way to show the audience, and the final release of the poster indicates that a new film work is about to be released to the market.Therefore, showing the creative concept and unique aesthetic style of the film through the highly artistic visual impact of the excellent movie poster to stimulate the audience's desire to watch the movie has always been one of the important means of film publicity.It fully illustrates that this form of advertising after a century of development still maintains strong vitality in a society with high development of information technology and science and technology like today.The promotional poster of the film is constantly changing due to the continuous evolution of design art, and is adjusted according to the diversified needs of the market.At the same time, production methods and forms of expression are becoming increasingly diversified.The poster design of the film is essentially through the principle of combining points, lines and surfaces, and expresses the key elements and main emotions of the film in the form of artistic creation.The meaning of the poster is to convey the storyline of life and death, good and evil, beauty and ugliness in the picture of life and death, good and evil, beauty and ugliness, minimalist movie posters have a simple form of expression and their own form of expression, through simple image information to evoke people's association with film content and character plot, some posters even use rigorous scientific proportional relationships in the design and combination of formal elements, and then achieve rigorous proportional beauty.

참고문헌 (Reference)

1 李盈, "试论克里斯托弗·诺兰电影的“碎片化”叙事" (32) : 2012

2 桑林, "论海报设计的简约合宜" (11) : 2005

3 林成, "电影海报极简效果研究" (07) : 2022

4 辛艺华, "汉斯·希尔曼电影海报图形艺术探析" (03) : 2014

5 金素, "极简艺术的绘画特征" 江陵原州大学教育研究生院 2010

6 刘宁, "极简主义电影海报的数理关系解读" (06) : 2017

7 彭澎, "数学与设计" 高等教育出版社 2010

8 杨军, "招贴设计中的创意语境解读" (06) : 2017

9 兰兰, "从大和绘到水墨汉画 : 兼论中国禅宗思想对日本绘画的影响" 文艺争鸣 2017