전유로서의 번역: 에즈라 파운드의 한시 번역과 이미지즘의 상관성에 관한 연구

다국어 초록 (Multilingual Abstract)

The study aims to examine how Ezra Pound applies imagistic methods to his translation of Chinese poetry by analyzing poems in Lustra and Cathay. Performing the task of translator, Pound appropriates Chinese poetic models to broaden and deepen the possibilities of his native language and to execute and strengthen the project of imagism which is one of the central axes of Western modernism.
Pound applies the strategy of imagism which pursues the direct treatment of the thing to his revision and translation of Chinese poetry. In his revised short poems such as Liu Che and Fan-Piece, For Her Imperial Lord, Pound presents hard pictorial images which crystallize intense moments.
The poems from Pounds Cathay suggest the inner feelings of sadness or loss in the original poems through pictorial images which seem to present outward scenes objectively. Especially, Lament of the Frontier Guard juxtaposes pictorial images seemingly stripped of emotional association and creates the matrix of meaning with ideogrammic method to intensify the barren mood of the original Chinese poem.
Although Pound is often accused of tampering with the original Chinese poems in the process of translation, it cannot be denied that his translation as appropriation has provided a breakthrough or turning point for English poetry by incorporating the heritage of Eastern literature into Western modernism.

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