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    스타 페르소나와 관객간의 상호 연관성 연구

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    https://www.riss.kr/link?id=A76149306

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Film performers tend to fall into three categories: stars, supporting players, and extra. Stars are usually the best known actors who play the leading roles in a film. Supporting players have secondary and supporting roles in a production. Supporting players also called character actors. The star is a very important person(VIP) in commercial films. Stars continue to play a stabilizing role in the contemporary film industry, providing filmmakers with built-in audiences who regularly watch films in their favorite actors and actresses appear.
    Then, what is the star persona? According to Stephen Prince, the star persona is the collective screen personality that emerges over the course of a star's career from the motion pictures in which he or she appears. The star persona is a collective creation generated by many films and is greater than any single performance in an individual film. In this context, to become a star is to have a star persona.
    According to John Belton, every star houses several different personalities, though they all tend to coexist graciously with one another rather than battle for control. At the base of the star persona lies an actual person, whose physical attributes and psychological makeup provide the foundation for the construction of the personality of the performer who appears on screen.
    Stars tend to fall into one of two categories. They are either personality stars or character stars. Of course, we shouldn't confuse character stars with character actors. For example, John Wayne, Barbra Streisand, and Julia Roberts are all performers who have constructed an enduring screen personality that is greater than represented by their appearance in any given film. In the case of Korean stars, Han Sukgyu, Choi Minsoo, and Jeon Jihyun belong to this categories.
    By contrast, the character star tends to play a greater range of roles, frequently changing visual and behavioral characteristics from role to role. Examples of character stars are Robert De Niro, Dustin Hoffman, and Meryl Streep who change accents, nationalities, and body language from one role to the next. In the case of Korean stars, Song Kangho, Choi Minsik, and Jeon Doyoun belong to this categories. Jeon shows an excellent performance in the film Secret Sunshine directed by Lee Changdong.
    In this thesis, I deal with an interrelationship between a star persona and spectators. My premise is that if a performer who belongs to personality star could play the role that fits for his own personality, then he or she can please audiences. On the contrary, if a character actor without star persona play the leading role in a film, an attraction of the character will be reduced. Therefore, audiences will lose half their interest in his or her film. From the viewpoint of spectators, the natural and harmonious fusion of a performer' personality and his character is a key point for appreciating films.
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    Film performers tend to fall into three categories: stars, supporting players, and extra. Stars are usually the best known actors who play the leading roles in a film. Supporting players have secondary and supporting roles in a production. Supporting ...

    Film performers tend to fall into three categories: stars, supporting players, and extra. Stars are usually the best known actors who play the leading roles in a film. Supporting players have secondary and supporting roles in a production. Supporting players also called character actors. The star is a very important person(VIP) in commercial films. Stars continue to play a stabilizing role in the contemporary film industry, providing filmmakers with built-in audiences who regularly watch films in their favorite actors and actresses appear.
    Then, what is the star persona? According to Stephen Prince, the star persona is the collective screen personality that emerges over the course of a star's career from the motion pictures in which he or she appears. The star persona is a collective creation generated by many films and is greater than any single performance in an individual film. In this context, to become a star is to have a star persona.
    According to John Belton, every star houses several different personalities, though they all tend to coexist graciously with one another rather than battle for control. At the base of the star persona lies an actual person, whose physical attributes and psychological makeup provide the foundation for the construction of the personality of the performer who appears on screen.
    Stars tend to fall into one of two categories. They are either personality stars or character stars. Of course, we shouldn't confuse character stars with character actors. For example, John Wayne, Barbra Streisand, and Julia Roberts are all performers who have constructed an enduring screen personality that is greater than represented by their appearance in any given film. In the case of Korean stars, Han Sukgyu, Choi Minsoo, and Jeon Jihyun belong to this categories.
    By contrast, the character star tends to play a greater range of roles, frequently changing visual and behavioral characteristics from role to role. Examples of character stars are Robert De Niro, Dustin Hoffman, and Meryl Streep who change accents, nationalities, and body language from one role to the next. In the case of Korean stars, Song Kangho, Choi Minsik, and Jeon Doyoun belong to this categories. Jeon shows an excellent performance in the film Secret Sunshine directed by Lee Changdong.
    In this thesis, I deal with an interrelationship between a star persona and spectators. My premise is that if a performer who belongs to personality star could play the role that fits for his own personality, then he or she can please audiences. On the contrary, if a character actor without star persona play the leading role in a film, an attraction of the character will be reduced. Therefore, audiences will lose half their interest in his or her film. From the viewpoint of spectators, the natural and harmonious fusion of a performer' personality and his character is a key point for appreciating films.

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    목차 (Table of Contents)

    • 1. 서론
    • 2. 본론
    • 3. 논의를 마치며
    • 참고 문헌
    • Abstract
    • 1. 서론
    • 2. 본론
    • 3. 논의를 마치며
    • 참고 문헌
    • Abstract
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    참고문헌 (Reference)

    1 유지나, "유지나의 여성영화 산책" 생각의 나무 2002

    2 이대현, "우리에게 시네마 천국은 없다" 다할 미디어 2001

    3 정성일, "오늘의 영화" 도서출판 작가 2007

    4 크리스틴 글레드힐, "스타덤: 욕망의 산업 Ⅱ" 시각과 언어 2000

    5 슬라보예 지젝, "삐딱하게 보기-대중문화를 통한 라캉의 이해" 시각과 언어 1995

    6 신주진, "뻔(fun)한 드라마 찡한 러브-드라마 속 멜로 즐기기" 여이연 2007

    7 Stephen Prince, "Movies and Meaning: An Introduction" Allyn and Bacon 1997

    8 William H. Phillips, "Film: An Introduction, Second Edition" Bedford/St. Martin′s 2002

    9 John Belton, "American Cinema/American Culture, Second Edition" McGraw-Hill 2005

    1 유지나, "유지나의 여성영화 산책" 생각의 나무 2002

    2 이대현, "우리에게 시네마 천국은 없다" 다할 미디어 2001

    3 정성일, "오늘의 영화" 도서출판 작가 2007

    4 크리스틴 글레드힐, "스타덤: 욕망의 산업 Ⅱ" 시각과 언어 2000

    5 슬라보예 지젝, "삐딱하게 보기-대중문화를 통한 라캉의 이해" 시각과 언어 1995

    6 신주진, "뻔(fun)한 드라마 찡한 러브-드라마 속 멜로 즐기기" 여이연 2007

    7 Stephen Prince, "Movies and Meaning: An Introduction" Allyn and Bacon 1997

    8 William H. Phillips, "Film: An Introduction, Second Edition" Bedford/St. Martin′s 2002

    9 John Belton, "American Cinema/American Culture, Second Edition" McGraw-Hill 2005

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-09-22 학회명변경 영문명 : Film Studies Association Of Korea (Fisak) -> Korean Cinema Association (KCA) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2006-04-09 학술지등록 한글명 : 영화연구
    외국어명 : Film Studies
    KCI등재후보
    2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.58 0.58 0.59
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.58 0.55 1.055 0.29
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