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    영화 <국제시장>에 나타난 관객 감동요소

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    https://www.riss.kr/link?id=A100558366

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This study is aimed to explore the key factors that make it possible to move audience greatly by dint of an analysis on the film. The main elements include affective human, historical background, poverty and success, sacrifice or dedication, and nostalgia and a reversal. First of all, regarding an emotional human, the main characters, Deok-Soo(played by Jung-Min Hwang) and Yeong-Ja(Played by Yoon-Jin Kim), are nice and warm-hearted no matter how hard their life might be, which has much emotional appeal. Then, the film,〈Ode to My Father〉, is a story about a family who escaped from North Korea at end of the Korean War: the withdrawal of the troop of Heungnam, in the 1950s, dispatching the miners and nurses to Germany, entry into the Vietnam War and separated South and North Korean families. These historical backgrounds, reflected in the film, succeeded in captivating a large of audience. Besides, the ending of the film puts an emphasis on poverty and success, which touches audience deeply by expression of overcoming the poverty and of achieving success, through love for the family and fathers sacrifice. Fourth, the virtue of sacrifice and devotion appeals to the heart of audience. Deok-Soo is the father who does anything as possible as he can for a family, which undoubtedly leads a myriad of viewers, especially in their fifties and sixties, step into the theater. Fifth, 〈Ode to My Father〉 reminds us of the old song, the process of the transition in the traditional market from the 1950s to the 2000s, a hard life of Korean miners and nurses in Germany, the pledge to the flag and the KBS program of reunions between separated families in the two Koreas. Last but not least, anyone who comes to watch the film can experience the reversal by observation of two couples, one Deok-Soo and Yeong-Ja, the other Dalgoo and a German proctor: even though Korean miners and nurses are seen to have a good time at a party, most of the spectators might have sorrowful expression on their face. Also, the scene that as the couple of Deok-Soos children asks his parents to take care of the grandchildren for family trip, Deok-Soo says to himself, Arent we a family member? definitely gives us laughter and tears at the same time. These reversals of the film helps to squeeze laughers and tears from audience, which makes us feel impressed.
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    This study is aimed to explore the key factors that make it possible to move audience greatly by dint of an analysis on the film. The main elements include affective human, historical background, poverty and success, sacrifice or dedication, and nosta...

    This study is aimed to explore the key factors that make it possible to move audience greatly by dint of an analysis on the film. The main elements include affective human, historical background, poverty and success, sacrifice or dedication, and nostalgia and a reversal. First of all, regarding an emotional human, the main characters, Deok-Soo(played by Jung-Min Hwang) and Yeong-Ja(Played by Yoon-Jin Kim), are nice and warm-hearted no matter how hard their life might be, which has much emotional appeal. Then, the film,〈Ode to My Father〉, is a story about a family who escaped from North Korea at end of the Korean War: the withdrawal of the troop of Heungnam, in the 1950s, dispatching the miners and nurses to Germany, entry into the Vietnam War and separated South and North Korean families. These historical backgrounds, reflected in the film, succeeded in captivating a large of audience. Besides, the ending of the film puts an emphasis on poverty and success, which touches audience deeply by expression of overcoming the poverty and of achieving success, through love for the family and fathers sacrifice. Fourth, the virtue of sacrifice and devotion appeals to the heart of audience. Deok-Soo is the father who does anything as possible as he can for a family, which undoubtedly leads a myriad of viewers, especially in their fifties and sixties, step into the theater. Fifth, 〈Ode to My Father〉 reminds us of the old song, the process of the transition in the traditional market from the 1950s to the 2000s, a hard life of Korean miners and nurses in Germany, the pledge to the flag and the KBS program of reunions between separated families in the two Koreas. Last but not least, anyone who comes to watch the film can experience the reversal by observation of two couples, one Deok-Soo and Yeong-Ja, the other Dalgoo and a German proctor: even though Korean miners and nurses are seen to have a good time at a party, most of the spectators might have sorrowful expression on their face. Also, the scene that as the couple of Deok-Soos children asks his parents to take care of the grandchildren for family trip, Deok-Soo says to himself, Arent we a family member? definitely gives us laughter and tears at the same time. These reversals of the film helps to squeeze laughers and tears from audience, which makes us feel impressed.

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    참고문헌 (Reference)

    1 연희원, "영화리얼리즘 비판을 통해 본 에코의 영화기호학과 보드리의 영화현상학" 대한철학회 94 : 221-245, 2005

    2 육정학, "영화 <우리 생애 최고의 순간>의 현상학적 접근을 통한 표현적 의미 고찰" 한국영화학회 38 (38): 341-370, 2008

    3 Schneider & Bowen, "Understanding Customer Delight and Outage" 41 (41): 35-45, 1999

    4 Herz, D. G, "Trauma and nostalgia: New aspects of the coping of aging holocaust survivors" 27 : 189-198, 1990

    5 Watson and Tellegen, "Toward a Consensual Structure of mood" (98) : 219-235, 1985

    6 Frijda, N. H, "The emotions" Combridge University Press 1986

    7 Hee-Jin Kim, "Success Stories Depicted in the Media and the Implications: Based on Analysis " Sung Kyun Kwan University 2014

    8 Pang, B, "Seeing stars: exploiting class relationships for sentiment categorization with respect to rating scales" 115-124, 2005

    9 Patton, M. Q, "Qualitative Evaluation and Research Methods" Sage 1990

    10 Cheong-Woong J, "Poverty and Its Challenge to Education" 7 (7): 29-43, 1969

    1 연희원, "영화리얼리즘 비판을 통해 본 에코의 영화기호학과 보드리의 영화현상학" 대한철학회 94 : 221-245, 2005

    2 육정학, "영화 <우리 생애 최고의 순간>의 현상학적 접근을 통한 표현적 의미 고찰" 한국영화학회 38 (38): 341-370, 2008

    3 Schneider & Bowen, "Understanding Customer Delight and Outage" 41 (41): 35-45, 1999

    4 Herz, D. G, "Trauma and nostalgia: New aspects of the coping of aging holocaust survivors" 27 : 189-198, 1990

    5 Watson and Tellegen, "Toward a Consensual Structure of mood" (98) : 219-235, 1985

    6 Frijda, N. H, "The emotions" Combridge University Press 1986

    7 Hee-Jin Kim, "Success Stories Depicted in the Media and the Implications: Based on Analysis " Sung Kyun Kwan University 2014

    8 Pang, B, "Seeing stars: exploiting class relationships for sentiment categorization with respect to rating scales" 115-124, 2005

    9 Patton, M. Q, "Qualitative Evaluation and Research Methods" Sage 1990

    10 Cheong-Woong J, "Poverty and Its Challenge to Education" 7 (7): 29-43, 1969

    11 Seong-Ha Hong, "Phanomenologie als eine Filmtheorie" 50 : 137-, 2000

    12 Best, J, "Nostalgia and discontinuity" 69 : 221-233, 1985

    13 Lincoln, Y. S, "Naturalislistic tic Inquirt, Bevely Hills" Sage 1985

    14 "Koreatimes, 2015.03.13"

    15 Mizuo Nakamachi, "Human Sensibillty Ergonomics" Ulsan University Press 2002

    16 Holak, S. L, "Feelings, Fantasies, and Memories: An Examination of the Emotional Components of Nostalgia" 42 : 217-226, 1998

    17 "Dong A new dictionary" Dong A publisher 2002

    18 Theobald, R, "Cybernation Immediate Threat and Future Promise" 51-, 1966

    19 Oliver, Rust Varki, "Customer delight: Foundation, Findings, and Managerial insight" (73) : 311-336, 1997

    20 Jae-Woo Ahn, "Customer Delight Going Beyond Custmer Satisfaction:Scale Development of Delight Measures" Hankuk University 2007

    21 Solomon, M. R, "Comsumer Behavior: Buying, Having, and Being" Prentice Hall 119-, 1996

    22 Ahn, Y. H, "Clinical nurses’ lived experience of interpersonal relations in the word setting of the hospital" 32 (32): 295-304, 2002

    23 Choong-Kook Kim, "Cinema, Place and Phenomenological Geography: Analying Exhausted, Tale of Cinema, Oki’s Movie" 4 (4): 149-169, 2011

    24 Lampman, R. J, "An Economist Looks at Poverty" 26-27, 1966

    25 Oliver, Rust, "A frame work for the formation and structure of consumer expectation: Review and Propositions" 8 : 469-499, 1987

    26 Young-Kye Ko, "A Study on the Meaning of Success Mythology in TV Documentary: Focusing on the KBS#1 " Dong Guk University 2004

    27 Bo-Kyeong Son, "A Study on Needs in a Movie and the Impressive Fators of Receivers: the caseof a film titled " Kong Ju University 2009

    28 Jin-Suk Park, "A Study of Reversal-Plot in Narrative Preaching" Chong Shin University 2003

    29 M. H. Abrams, "A Glossary of Literary Term" BoSeong publisher 1999

    30 Russel, J, "A Circumplex Model of affect" (39) : 1161-1178, 1980

    31 Russell, James, "A Circumplex Model of affect" 39 : 1161-1178, 1990

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2022 평가 재인증평가 신청대상 (재인증)
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2015-01-01 등재 등재후보학술지 유지 (계속평가) KCI등재후보
    2013-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2012-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2010-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.79 0.79 0.72
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.7 0.67 0.781 0.27
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