몸과 마음을 다스리는 ‘기氣연기술시스템’논의

다국어 초록 (Multilingual Abstract)

South Koreas acting education for the present no better in the face of the actor had no interest in the training system at all. Western acting technique training of the basic principle is an actor in two directions of pathos and logos of stressing in that direction, depending on sharing.
Denis diderots control by reason rejects pathos‘acting by the emotion. this argument makes stirring controversy modern acting as the beginning of the technology determinism Constantin stanislavskis performance falls short of sense than to appeal to new spirit must fall back on the annual technical theory would appear.
Polands Grotowski skiing are eclectic annual technology by calling on balanced well as internal, consulates and the physically or spiritually but can be achieved. But the tainted human condition from social life interferes impulse of pure for the immediate expression also sought to overcome this methodology. The modern acting technology theorist and their various efforts is naturally directed toward the solution that can bring him the spiritual inspiration and spiritual experience. But they are only seeking they have failed to present the firm of the principle.
In this study, I suggest ‘Chi 氣 acting technique system’ for our creative agency to rule an important center of the mind and body that leads the world of a spiritual experience as new actors who used to train will continue to find that.

참고문헌 (Reference)

1 김국성, "한국기공의 이론과 실제" 도서출판 양문 1999

2 육완순, "프랑소와 델사르트의 세계" 교육과학사 1979

3 홍태수, "단" 동서문학사 1985

4 김수남, "기연기술과 무예연기술" 월인 2014

5 고승길, "가난한 연극" 태광문화 1988

6 J. J. Su, "the perspective of the movie acting, 《Monthly movie》"

7 Jerzy Grotowski, "Towards a poor theatre" Simon & Schuster 16-, 1968

8 Denis Diderot, "The Pardox of Acting" 런던 1983

9 "Constantin Stanislavski"

10 Constantin Stanislavski, "An Actor Prepares" Theatre Arts Books 1946

11 Dong won Kim, "A dialogue with senior actor, Dongwon Kim"