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      비토 아콘치의 〈무어섬〉 = 미술ㆍ디자인 탈경계의 도전

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      As the recent trend that the well-known artists work as designers of everyday commodities has increased, and the design has expanded its' realm into that of fine art, Hal Foster, one of the leading art historians raised a strong criticism towards the art/ design conflation, His disapproval against design which allegedly prevails the entire world today, evolves another fear that this could impair the art criticism. In order to support his idea, Foster cites Adolf Loos' remarks on 'Art Nouveau,' in which Loos states that 'decoration is a crime and it should be eliminated.'
      Foster, replacing decoration with design, wants art to maintain its' own purity in order to restore 'autonomy.' His assertion, very much likely of modernist, conflicts to his beliefs in previous studies. Consisted of a critic's prejudice with elitism of 'high-brow,' Foster loses proper stance towards the evaluation of design. In particular, Foster's arguments deeply depend upon the binarism, which post-structuralism is to deconstruct.
      Vito Acconci, ex-poet, performance artist, made himself as an architect, and designer. His 〈Mur Island〉 is an artificial island/path/public place in the Mur river, Graz, Austria. With its' unique form, scholars criticizes it as mis-designed architecture. However, Acconci continued to attempt to reverse the typical relationship between the subject and the object in art making and receiving. Acconci regards the viewers as the commander of the space and the creator of the experience within a specific environment No clear boundary, no distinct functional purpose, yet expanding the chances of the artistic experiences, 〈Mur island〉 suggests the real unification of art and design.
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      As the recent trend that the well-known artists work as designers of everyday commodities has increased, and the design has expanded its' realm into that of fine art, Hal Foster, one of the leading art historians raised a strong criticism towards the ...

      As the recent trend that the well-known artists work as designers of everyday commodities has increased, and the design has expanded its' realm into that of fine art, Hal Foster, one of the leading art historians raised a strong criticism towards the art/ design conflation, His disapproval against design which allegedly prevails the entire world today, evolves another fear that this could impair the art criticism. In order to support his idea, Foster cites Adolf Loos' remarks on 'Art Nouveau,' in which Loos states that 'decoration is a crime and it should be eliminated.'
      Foster, replacing decoration with design, wants art to maintain its' own purity in order to restore 'autonomy.' His assertion, very much likely of modernist, conflicts to his beliefs in previous studies. Consisted of a critic's prejudice with elitism of 'high-brow,' Foster loses proper stance towards the evaluation of design. In particular, Foster's arguments deeply depend upon the binarism, which post-structuralism is to deconstruct.
      Vito Acconci, ex-poet, performance artist, made himself as an architect, and designer. His 〈Mur Island〉 is an artificial island/path/public place in the Mur river, Graz, Austria. With its' unique form, scholars criticizes it as mis-designed architecture. However, Acconci continued to attempt to reverse the typical relationship between the subject and the object in art making and receiving. Acconci regards the viewers as the commander of the space and the creator of the experience within a specific environment No clear boundary, no distinct functional purpose, yet expanding the chances of the artistic experiences, 〈Mur island〉 suggests the real unification of art and design.

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      목차 (Table of Contents)

      • Ⅰ. 서론 : 디자인ㆍ미술 통합의 가시화
      • Ⅱ. 할 포스터와 디자인 비판론
      • Ⅲ. 비토 아콘치의 〈무어섬〉
      • Ⅳ. 아콘치 작품들과 통합의 시도
      • Ⅴ. 탈경계와 탈범주
      • Ⅰ. 서론 : 디자인ㆍ미술 통합의 가시화
      • Ⅱ. 할 포스터와 디자인 비판론
      • Ⅲ. 비토 아콘치의 〈무어섬〉
      • Ⅳ. 아콘치 작품들과 통합의 시도
      • Ⅴ. 탈경계와 탈범주
      • 참고문헌
      • Abstract
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      참고문헌 (Reference)

      1 헤겔, "헤겔 예술철학: 베를린 1823년 강의" 미술문화 2008

      2 아도르노, 호크하이머, "계몽의 변증법: 철학적 단상" 문학과 지성사 2001

      3 Moure, Gloria, "Writing, Works, Projects" D.A.P 2001

      4 Melkisethian, Angela, "Vito Acconci: Island on the Mur" 22 (22): 2003

      5 Lotringer, Sylvère, "Vito Acconci: House Trap Interview with Vito Acconci" 147 : 1989

      6 Richards,Judith Olch, "Vito Acconci: February 7, 1989. studio, Dumbo, Brooklyn Inside the Studio"

      7 Ward, Frazer, "Vito Acconci" Phaidon 2002

      8 Flusser,Vilem, "The Shape of Things:A Philosophy of Design" Reaktion 1999

      9 North, Michael, "The Public as Sculpture: From Heavenly City to Mass Ornament" 16 (16): 860-879, 1990

      10 Lyotard, Jean-Francois, "The Postmodern Condition, trans. Geoff Bennington & Brian Massumi" University Minnesota Press 1984

      1 헤겔, "헤겔 예술철학: 베를린 1823년 강의" 미술문화 2008

      2 아도르노, 호크하이머, "계몽의 변증법: 철학적 단상" 문학과 지성사 2001

      3 Moure, Gloria, "Writing, Works, Projects" D.A.P 2001

      4 Melkisethian, Angela, "Vito Acconci: Island on the Mur" 22 (22): 2003

      5 Lotringer, Sylvère, "Vito Acconci: House Trap Interview with Vito Acconci" 147 : 1989

      6 Richards,Judith Olch, "Vito Acconci: February 7, 1989. studio, Dumbo, Brooklyn Inside the Studio"

      7 Ward, Frazer, "Vito Acconci" Phaidon 2002

      8 Flusser,Vilem, "The Shape of Things:A Philosophy of Design" Reaktion 1999

      9 North, Michael, "The Public as Sculpture: From Heavenly City to Mass Ornament" 16 (16): 860-879, 1990

      10 Lyotard, Jean-Francois, "The Postmodern Condition, trans. Geoff Bennington & Brian Massumi" University Minnesota Press 1984

      11 Acconci, vito, "Storefront for Art and Architecture"

      12 Foster, Hal, "Round Table: The Present Conditions of Art Criticism" (100) : 2002

      13 Jameson, Frederic, "Postmodernism, or the Cultural Logic of Late Capitalism" Duke University Press 1991

      14 Loos,dolf, "Ornament and Crime(1908) Programs and Manifestoes on 20th-century Architecture" MIT Press 1970

      15 Gastil, Raymond, "Open: New Design for Public A Space" Princeton Architectural Press 2004

      16 Morris,Robert, "Notes on Sculpture, part II" 5 (5): 20-23, 1966

      17 Greenberg, Clement, "Modernist Painting. in Modernism with a Vengeance" University Press of Chicago Press 4 : 85-93, 1995

      18 "Modernism with a Vengeance, Art and Culture" Beacon 1968

      19 McQuilten, Grace, "Mis-design: Art in a Consumer Landscape" The University of Melbourne 2007

      20 Gregory, Rob, "Island in the Stream: An floating structure brings drama to the heart of this year’s European Cultural Capital" 208 (208): 2003

      21 Zenkner, Gűnter, "Island in the Mur" 73 (73): 2003

      22 Neil Leach, "Functionalism Today in Rethinking Architecture: a reader in cultural theory" Routledge 1997

      23 Baudrillard, Jean, "For a Critique of the Political Economy of the Sign" Telos Press 1981

      24 Finkelpearl,Tom, "Dialogues in public Art" MIT press 2001

      25 Howard, David Brian, "Design and Crime (And Other Diatribes) by Hal Foster" (54) : 2003

      26 Foster,Hal, "Design and Crime" Verso 2002

      27 Willis, Anne-Marie, "Design Philosophy Papers"

      28 Adorno,Theodor, "Culture Industry" Routledge 2001

      29 Cantz, Reihe, "Courtyard in the Wind" D.A.P. 2003

      30 Roberts, Marc, "Capitalism, psychiatry, and schizophrenia: a critical Introduction to Deleuze and Guattari’s Anti-Oedipus" 8 : 379-, 2007

      31 Acconci, "Building an Island"

      32 Weintraub, Linda, "Art on the Edge and Over"

      33 Deleuze, Gilles, "Anti-Oedipus: Capitalism and Schizophrenia" University of Minnesota press 1983

      34 Acconci, "Acts of Architecture"

      35 Foster, Hal, "ABCs of Design" (100) : 2002

      36 Morgan, Anne Barclay, "A Conversation with Vito Acconci: Revolution is Sneakier" 21 (21): 2002

      37 Igliori, Paola, ",Entrails,Heads and Tails" Rizzoli 1992

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가 재인증평가 신청대상 (재인증)
      2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
      2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
      2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2005-06-08 학술지등록 한글명 : 현대미술사연구
      외국어명 : Journal of History of Modern Art
      KCI등재후보
      2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.33 0.33 0.32
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.31 0.32 0.877 0.1
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