고전문학 : 화전가를 통해 본 18,19세기 남녀의 정서와 의식지향 -은일가사와의 비교를 곁들여- = The emotion and the consciousness intention of the 18,19th century men and women who appeared in Hwajeonga -Focused on comparison with Eunilgasa

다국어 초록 (Multilingual Abstract)

Social status of the Joseon women withered by the generalization of the man-centered patriarchy very much in the 18·19th century. And Hyangchonsajok(鄕村士族) who is the writer of Eunilgasa(隱逸歌辭) was the situation that must incline the power to maintenance of the writer`s social position and the family`s social standing while staying at the hometown not to be able to go into the government official. The woman in the male central society and Hyangchonsajok in the bureaucracy has a common point at the point that dealt with the situation that withered. By the way, I was able to confirm that the voice of women appearing in Hwajeonga(花煎歌) was very active and confident, while the voice of the men who appeared in Eunilgasa was very retrospective and withers. Because Hyangchonsajok turn reality away and get into the idea and custom, we may guess in the situation that Hyanchonsahoe(鄕 村社會) was depressed at the time. On the other hand, we feel that here is the driving force that supports family`s social standing, because the voice of women has vitality to overwhelm men.

참고문헌 (Reference)

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