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      唐代 書僧의 書藝와 書藝詩 = Monk Calligrapher’s Calligraphy and Poems on Calligraphy in the Tang Dynasty

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      https://www.riss.kr/link?id=A106370308

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      다국어 초록 (Multilingual Abstract)

      This study analyzed monk calligraphers’ calligraphy and poems on calligraphy in the Tang Dynasty. In this regard, this study made a general introduction of monk calligraphers in the Tang Dynasty, and then extracted the poems on their calligraphy and categorized them into calligraphy poems. Further, this study selected and analyzed the poems on calligraphy written by monk calligraphers since the Tang Dynasty, and investigated the later evaluation of monk calligraphers in the Tang Dynasty. In the early and middle Tang Dynasty, most of the poems were written by literary men about monk calligraphers’ calligraphy, while, in the middle and late Tang Dynasty, quite a number of poems were written by monk poets about monk calligraphers’ calligraphy. The closer the Tang Dynasty was to the middle and late period, the greater the number of monk poets with great poetic skills was. It can be said that monk calligraphers’ calligraphy received much attention from monk poets as well as literary men. As for calligraphic script styles other than Cursive script, there are only 2 poems that Huangtao(黃滔) and Qiji(齊己) wrote about Seal script and Clerical script. Monk calligraphers’ poems on calligraphy are all related to Cursive script. This shows that poems related to Cursive script occupies the absolute majority of monk calligrapher’s poems on calligraphy. This reflects the fact that most of the famous monk calligraphers in the Tang Dynasty, including Huaisu(懷素), Gaoxian(高閑), and Bianguang(䛒光), were excellent in Cursive script. What made monks so closely related to Cursive script? It seems to have been due to the influence and praise of Zhiyong(智永), a famous monk calligrapher who mastered Cursive script in the early Tang Dynasty, and the trend of the times that Cursive script in the early Tang Dynasty created by Zhang Xu(張旭) was remarkably developed. These poems on calligraphy in the Tang Dynasty had a great influence on later poems on calligraphy since the Tang Dynasty, with the Cursive script of monk calligraphers excellent in Cursive script having a particular influence on later Cursive script.
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      This study analyzed monk calligraphers’ calligraphy and poems on calligraphy in the Tang Dynasty. In this regard, this study made a general introduction of monk calligraphers in the Tang Dynasty, and then extracted the poems on their calligraphy and...

      This study analyzed monk calligraphers’ calligraphy and poems on calligraphy in the Tang Dynasty. In this regard, this study made a general introduction of monk calligraphers in the Tang Dynasty, and then extracted the poems on their calligraphy and categorized them into calligraphy poems. Further, this study selected and analyzed the poems on calligraphy written by monk calligraphers since the Tang Dynasty, and investigated the later evaluation of monk calligraphers in the Tang Dynasty. In the early and middle Tang Dynasty, most of the poems were written by literary men about monk calligraphers’ calligraphy, while, in the middle and late Tang Dynasty, quite a number of poems were written by monk poets about monk calligraphers’ calligraphy. The closer the Tang Dynasty was to the middle and late period, the greater the number of monk poets with great poetic skills was. It can be said that monk calligraphers’ calligraphy received much attention from monk poets as well as literary men. As for calligraphic script styles other than Cursive script, there are only 2 poems that Huangtao(黃滔) and Qiji(齊己) wrote about Seal script and Clerical script. Monk calligraphers’ poems on calligraphy are all related to Cursive script. This shows that poems related to Cursive script occupies the absolute majority of monk calligrapher’s poems on calligraphy. This reflects the fact that most of the famous monk calligraphers in the Tang Dynasty, including Huaisu(懷素), Gaoxian(高閑), and Bianguang(䛒光), were excellent in Cursive script. What made monks so closely related to Cursive script? It seems to have been due to the influence and praise of Zhiyong(智永), a famous monk calligrapher who mastered Cursive script in the early Tang Dynasty, and the trend of the times that Cursive script in the early Tang Dynasty created by Zhang Xu(張旭) was remarkably developed. These poems on calligraphy in the Tang Dynasty had a great influence on later poems on calligraphy since the Tang Dynasty, with the Cursive script of monk calligraphers excellent in Cursive script having a particular influence on later Cursive script.

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      참고문헌 (Reference)

      1 王琦, "李太白全集 全三冊" 中華書局 1990

      2 楊克炎, "書法咏論" 遼寧美術出版社 1993

      3 潘運告, "明代書論" 湖北美術出版社 2006

      4 "文淵閣四庫全書 電子版" 上海古籍出版社 2007

      5 우재호, "懷素 草書와 역대 懷素草書歌에 대하여" 영남중국어문학회 (77) : 5-41, 2018

      6 張毅, "宋元論書詩全編" 南開大學出版社 2017

      7 蔡顯良, "宋代論書詩硏究" 南京藝術學院 2007

      8 潘運告, "宋代書論" 湖北美術出版社 2006

      9 蔡顯良, "唐代論書詩硏究" 南京藝術學院 2004

      10 우재호, "唐代 草書와 歌行體 草書歌의 상관성" 영남중국어문학회 (79) : 163-189, 2018

      1 王琦, "李太白全集 全三冊" 中華書局 1990

      2 楊克炎, "書法咏論" 遼寧美術出版社 1993

      3 潘運告, "明代書論" 湖北美術出版社 2006

      4 "文淵閣四庫全書 電子版" 上海古籍出版社 2007

      5 우재호, "懷素 草書와 역대 懷素草書歌에 대하여" 영남중국어문학회 (77) : 5-41, 2018

      6 張毅, "宋元論書詩全編" 南開大學出版社 2017

      7 蔡顯良, "宋代論書詩硏究" 南京藝術學院 2007

      8 潘運告, "宋代書論" 湖北美術出版社 2006

      9 蔡顯良, "唐代論書詩硏究" 南京藝術學院 2004

      10 우재호, "唐代 草書와 歌行體 草書歌의 상관성" 영남중국어문학회 (79) : 163-189, 2018

      11 우재호, "唐代 書藝詩 試探" 한국중어중문학회 43 : 146-174, 2008

      12 "全宋詩(全72冊)" 北京大學出版社 1998

      13 "全唐詩(上․下)" 宏業書局 1982

      14 "全元詩(全68冊)" 中華書局 2013

      15 潘運告, "元代書畵論" 湖北美術出版社 2011

      16 田光烈, "佛法與書法: 佛學對中國傳統書法藝術之影響及追求" 頂淵文化事業有限公司 1993

      17 周小儒, "中國歷代僧侶書法" 山東畵報出版社 2011

      18 朱關田, "中國書法史: 隋唐五代卷" 江蘇敎育出版社 2014

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
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      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2015-03-17 학회명변경 영문명 : 미등록 -> The Association of North-East Asian Cultures KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2006-01-01 평가 등재후보학술지 유지 (계속평가) KCI등재후보
      2004-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.46 0.46 0.43
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.41 0.37 0.629 0.09
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