신소설에 나타난 이념과 풍속의 거리 = The Study on a Distance between Modern Ideology and Public Morals in New Novels

다국어 초록 (Multilingual Abstract)

This thesis is to discuss the matter of enlightenment, which has been frequently shown in the Korean New Novels and previous research papers on them, as a first step in my research on the paradigm of enlightenment shown in Korean modern literature. Such new ideas as 'modernity,' 'enlightenment,' and 'nation' emerged as new guiding principles to lead the society at the time that the Korean New Novels appeared. However, the enthusiasm for enlightenment interlocking with the crisis of the nation caused the abstract logic of reforming the national consciousness by modern ideology to be placed before the consideration of reality. Consequently, there existed a big gap between the realistic foundation and the ideological contention. Such a situation was expressed as the spread between a foreign idea of modernity and a conventional life based on Confucian customs. The spread between the Confucian values prevailing in a level of customs and the modern awakening in a level of ideology disclosed fictionality in the enlightening cause which was raised in such a state that the material foundation of a modern society was poor. In addition, the enlightening value of the Korean New Novels, which has been discussed in many research papers on them, was used as an important ground for determining its literary values. According to such papers, the values that the Korean New Novels have as literature in the literary history are determined by the code of confirmity with enlightenment: whether or not the historical recognition a novelist has is right in view of critics' comments on the historical situation in the society at that time. The historical recognition of a novelist is considered more important than the literary values of his work. Such a critical logic has finally resulted in spreading the paradigm of recognition, that is, an approach of literature from a deterministic point of view based on the ethical world view, throughout Korean literature.

목차 (Table of Contents)

• Ⅰ. 서론
• Ⅱ. 한국적 근대의 모순
• Ⅲ. 신소설의 두 층위
• Ⅳ. 『혈의 루』에 나타난 계몽 이념의 허구성
• Ⅴ. 결론
• 참고문헌
• Abstract
• 저자소개

참고문헌 (Reference)

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3 "한국유학의 탐구" 서울대학교출판부 1999

4 "한국근대소설사론" 창작사 1986

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6 "한국계몽주의문학사론" 소명출판사 2002

7 "한국개화기소설연구" 일조각 1972

8 "한국개화기 소설의 사적 연구" 일지사 1975

9 "한국 근대소설의 기원" 소명출판사 2000

10 "한국 근대소설사의 시각" 소명출판사 1999

11 "심연을 탐사하는 고래의 눈" 소명출판사 2003

12 "신소설의 문학사적 성격" 서울대 출판부 1983

13 "신문학과 시대의식" 새문사 1981

14 "서사양식과 담론의 근대성" 서울대출판부 2000

15 "모더니티란 무엇인가" 민음사 1994

16 "근대전환기소설연구" 국학자료원 1991

17 "근대의 책읽기" 푸른역사 2003