특집논문 : “자기”와 “자아” 사이 진화하는 홍상수의 “자기실현” -<해변의 여인>을 중심으로- = The Growth of “Self-realization” by Dir. Hong Sang-soo between “Self” and “Ego”

다국어 초록 (Multilingual Abstract)

Herman Hesse truly believes the starting point of arts is at the combination of two different genders. And Carl Gustav Jung`s systematize this theory with the concepts of ``self`` and ``ego``. ``Ego`` at the center of consciousness, contains the limits of physical difference between male and female, and ``Self`` at unconsciousness includes both ``anima``, which refers to the feminity in man, and ``animus`` to the masculinity in woman. C.G. Jung defined ``Self-realization(Selbstverwirklichung)`` as the process of human being unifying ``self`` and ``ego``. The purpose of ``Self-realization (Selbstverwirklichung)`` is to balance between the femininity(anima) in man and the masculinity(animus) in woman, and to make the whole mind of androgyne in the unconsciousness, for creativity in each human being. <Woman on the Beach> could be considered to show that Dir. Hong Sang-Soo`s unconscious mind, ``self``, has been developed to meet the point of his conscious one, ``ego``. Director Hong created the muddled woman character in <The day a pig fell into a well>(1996), the shallow female creature of the motherhood in <The Power of Kangwon Province>(1998), and then he developed the emotional and positive woman personality in <Turning Gate>(2002). However, in <Woman Is the Future of Man>(2004), woman is displayed as being the expendable, not the future of man. who is absolutely necessary for man, but the reason for being is not clear for herself. The female character finally starts to express her animus in <Tale of Cinema>(2005). In <Woman on the Beach>(2006), dir. Hong created the male character, Joong-rae, to run into two kinds of animas, Sun-hee and Moon-sook, from his subconscious level, who help him reveal his desire to achieve ``Self-realization``. Dir. Hong drastically shows his anima through his characters in his movies more than ever. His male character percepts his cravenness, even saying, “I`m spooked again.” and accepts the shadow for ``Self-Integration``. Dir. Hong`s character in his future films, is expected to pull each anima/animus from his/her shadowland to the surface on the conscious level, like Joong-rae and Moon-sook. Now he thinks more to give a birth to the unique but intimate type of human being full of possibility for ``Self-realization`` and ``Self-Integration``, rare to be controlled by the principle of time and space, through his film-making.

참고문헌 (Reference)

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2 홍상수, "해변의 연인" 영화사봄/전원사 2006

3 Jacobi, Jolande, "칼 융의 심리학 해설" 홍신문화사 1990

4 전철, "칼 구스타프 융의 분석심리학" 전철의 신학동네 2001

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7 홍상수, "옥희의 영화" 전원사 2010

8 홍상수, "오, 수정" 미라신코리아 2000

9 홍상수, "여자는 남자의 미래다" 미라신코리아 2004

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17 홍상수, "강원도의 힘" 미라신코리아 1998

18 "http://theology.co.kr/article/jung.html"

19 Jung, Carl Gustav, "Man and his Symbols" Aldus Books 1964

20 Yahweh, Aniela, "C.G. Jung의 회상, 꿈, 그리고 사상" 집문당 1989