드고텍스 작품에 있어서의 극동문화에 대한 연구 = A Study on Orientalism in Works of Jean Degottex

다국어 초록 (Multilingual Abstract)

Jean Degottex was generally classified as an informal or calligraphic painter. And the basic contributions of his arts were recognized by automatism, the axiom of Surrealism, and Orientalism more specially Zen and traditional arts of Far East. But the author of this study said those were not right perspective on Degottex because that he was not one informalist who simply integrated some components of oriental art into Automatism which was a trend of those days. The author insists that Degottex is more than a mere informalist, he was interested in all sort of knowledge and open-minded to them. As a result he could not be attached to any of one school or ism. The real value of Degottex was that he created a new horizon in the history of pictural plastic, and that was based on his own interpretation on the tradition and outstanding knowledge on the culture of Far East. What he achieved was not a simple eclectic combination of two cultures, but completely new development of one area on Plastic art. In his days, the artists and theorists of occident were informed very limited idea about Zen and Orientalism. Therefore their poor understanding on Orientalism and it's art inevitably leaded to theoretic misinterpretation. The objective and exact comprehension on art of Degottex allows us to solve our dilemma between various strange ism and tradition.

참고문헌 (Reference)

1 허버트 리드, "현대회화의 역사" 까치 1994

2 알렉산드리안 S., "초현실주의 미술" 열화당

3 서성록, "동서양 미술의 지평" 재원 1999

4 Munsterberg Hugo, "Zen and Oriental Art"

5 Shin'ichi Hisamatzu, "Zen and Fine Arts" kodansha international LTD 1971

6 Frémon Jean, "Degottex" du Regard 1986

7 Lamarch-Vadel Bernard, "Degottex" du Regard 1978

8 Chang Chung-yuan, "Creativity and Taoism" The Julian Press, Inc 1963

9 Maritain Jaques, "Creative Intuition in Art and Poetry" Pantheon Books Inc. 1960