짜를리노의 대위법에서 세나리오의 역할 : 『화성의 체계』 제3권 제61장의 인용 관계를 중심으로 = The Role of Senario in Zarlino’s The Art of Counterpoint : Focused on Chapter 61 of Book Ⅲ of Le istitutioni harmonische

다국어 초록 (Multilingual Abstract)

This study is on the role of Senario in Book Ⅲ of Zarlino’s Le istitutioni harmonische (1558) and considers the coexistence of processes of articulation of speculative and practical theory. Zarlino united in his Le istitutioni harmonische two theoretical traditions, speculative and practical theory. Zarlino aimed in Book Ⅰ and Ⅱ to lay the foundation upon which he could build in Book Ⅲ and Ⅳ a sound edifice of practical precepts.
Zarlino’s employment of the Senario as the mathematical basis for consonance is unique. Although writers before him used proportions of the numbers of the Senario in order to describe consonance, no one used these numbers to define consonance. To Zarlino, thirds and sixths are consonant because of numerical relationships, and not because of the way they sound. The octave, the fifth, the fourth, the major third, and the minor third are defined by ratios that use the elements of the Senario.
Zarlino in Book Ⅲ applied the order or progression of the harmonic number in not only the generation of intervals but also the locations or distances between the parts as in their movements, melodic lines, and proportions. The application of Senario in Book Ⅲ would eventually be a fully developed counterpoint system.

목차 (Table of Contents)

• Ⅰ. 서론
• Ⅱ. 본론
• 1. 『화성의 체계』 제1권 제15장에서 세나리오
• 2. 『화성의 체계』 제3권에서 세나리오
• 3. 『화성의 체계』 제3권 제61장에서 세나리오
• Ⅲ. 결론
• 참고문헌
• Abstract

참고문헌 (Reference)

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2 "http://www.chmtl.indiana.edu/smi/cinquecento/ZAR58IH4_TEXT.html"

3 "http://www.chmtl.indiana.edu/smi/cinquecento/ZAR58IH3_TEXT.html"

4 "http://www.chmtl.indiana.edu/smi/cinquecento/ZAR58IH2_TEXT.html"

5 "http://www.chmtl.indiana.edu/smi/cinquecento/ZAR58IH1_TEXT.html"

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