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      19세기 향락상에 대한 평ㆍ천민 女性의 自意識 구현의 한 양상 = The aspect of the presentation of the female self-consciousness of the common and Low class, relating to the epicurism in the 19th century

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      https://www.riss.kr/link?id=A100182511

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      다국어 초록 (Multilingual Abstract)

      This paper aims at revaluating <YichupungJeon>, <Musukytaryoung>, <Samsengky> which were written in the 19 century in korea. These three korean classical novels incarnated the aspects of the representation of the female self-consciousness of the common and low class.
      The female self-consciousness of the common and low class was related to the structure of these three novels. All these three works incarnated the epicurism of the 'Walja'(曰者:a rowdy fellow) in Choseon Dynasty. This structure is the first half of these three works. And the common and low class female critics about the Walja's epicurism is the latter half structure of these three works.
      In the latter half struaure of these works, the common and low class female expressed or represented self-consciousness, which had influence on the first half of these three works. This female self-consciousness originated enjoyment and epicurism of 'Walja'and the 'Kysaeng'(妓生). The aspect of enjoyment and epicurism of 'Walja' and the 'Kysaeng' were criticised women, above all the 'Kysaeng' who were in the center of the enjoyment and epicurism ironically.
      The high class women han che consciousness of the 'Yangban'(兩班) which was the high class male. But in a difference the common and low class female had the independent thoughts and the positive actions. These low class female self-consciousness han an modern-oriented inclination in the 19 century in korea.
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      This paper aims at revaluating <YichupungJeon>, <Musukytaryoung>, <Samsengky> which were written in the 19 century in korea. These three korean classical novels incarnated the aspects of the representation of the female self-consciou...

      This paper aims at revaluating <YichupungJeon>, <Musukytaryoung>, <Samsengky> which were written in the 19 century in korea. These three korean classical novels incarnated the aspects of the representation of the female self-consciousness of the common and low class.
      The female self-consciousness of the common and low class was related to the structure of these three novels. All these three works incarnated the epicurism of the 'Walja'(曰者:a rowdy fellow) in Choseon Dynasty. This structure is the first half of these three works. And the common and low class female critics about the Walja's epicurism is the latter half structure of these three works.
      In the latter half struaure of these works, the common and low class female expressed or represented self-consciousness, which had influence on the first half of these three works. This female self-consciousness originated enjoyment and epicurism of 'Walja'and the 'Kysaeng'(妓生). The aspect of enjoyment and epicurism of 'Walja' and the 'Kysaeng' were criticised women, above all the 'Kysaeng' who were in the center of the enjoyment and epicurism ironically.
      The high class women han che consciousness of the 'Yangban'(兩班) which was the high class male. But in a difference the common and low class female had the independent thoughts and the positive actions. These low class female self-consciousness han an modern-oriented inclination in the 19 century in korea.

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      목차 (Table of Contents)

      • 1. 서론
      • 2. <이춘풍전> <무숙이타령> <삼선기>의 구성과 女性自意識의 관계
      • 3. 평ㆍ천민 여성의 自意識 구현의 시대적 함의
      • 4. 여타 기녀등장소설과 대비해본 평ㆍ천민 여성의 自意識의 위상
      • 5. 결론
      • 1. 서론
      • 2. <이춘풍전> <무숙이타령> <삼선기>의 구성과 女性自意識의 관계
      • 3. 평ㆍ천민 여성의 自意識 구현의 시대적 함의
      • 4. 여타 기녀등장소설과 대비해본 평ㆍ천민 여성의 自意識의 위상
      • 5. 결론
      • Abstract
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