This paper aims at revaluating <YichupungJeon>, <Musukytaryoung>, <Samsengky> which were written in the 19 century in korea. These three korean classical novels incarnated the aspects of the representation of the female self-consciou...
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https://www.riss.kr/link?id=A100182511
2000
-
810
KCI등재
학술저널
213-239(27쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper aims at revaluating <YichupungJeon>, <Musukytaryoung>, <Samsengky> which were written in the 19 century in korea. These three korean classical novels incarnated the aspects of the representation of the female self-consciou...
This paper aims at revaluating <YichupungJeon>, <Musukytaryoung>, <Samsengky> which were written in the 19 century in korea. These three korean classical novels incarnated the aspects of the representation of the female self-consciousness of the common and low class.
The female self-consciousness of the common and low class was related to the structure of these three novels. All these three works incarnated the epicurism of the 'Walja'(曰者:a rowdy fellow) in Choseon Dynasty. This structure is the first half of these three works. And the common and low class female critics about the Walja's epicurism is the latter half structure of these three works.
In the latter half struaure of these works, the common and low class female expressed or represented self-consciousness, which had influence on the first half of these three works. This female self-consciousness originated enjoyment and epicurism of 'Walja'and the 'Kysaeng'(妓生). The aspect of enjoyment and epicurism of 'Walja' and the 'Kysaeng' were criticised women, above all the 'Kysaeng' who were in the center of the enjoyment and epicurism ironically.
The high class women han che consciousness of the 'Yangban'(兩班) which was the high class male. But in a difference the common and low class female had the independent thoughts and the positive actions. These low class female self-consciousness han an modern-oriented inclination in the 19 century in korea.
목차 (Table of Contents)