湖畔詩派 汪靜之 시의 근대성 연구 = A Study on the Modernity of Wang Jingzhi’s Poetry as a Lakeside Poet

다국어 초록 (Multilingual Abstract)

The purpose of this study is to revaluate Wang Jingzhi’s 汪靜之(1902-1996) representative love poems, especially focusing on his concern for the free, the romantic, and the western style love. His love poetry, inspired by the tide of the May 4th Movement that asserted the ideological emancipation and anti-feudalistic society, broke away from the restraints of traditional custom between man and women and came to literary prosperity. His poetry was one of the most effective means to head toward Chinese modernity, since he found out Chinese equivalent for Western romantic love affairs and developed the private self with modern individual sensitiveness in his many touching and brokenhearted love poems.
This study also tries to find the distinctions of love poems between traditional and modern society, and summarize the causes through the analysis of the aspects of two cultures, women social status, and different aesthetic tastes. Wang Jingzhi’s love poetry of the 1920s was based on the awareness of the relativism between subject(self) and object(loving partner). At the same time, this poetry was characterized by its superb tendency to present sense impression of love affairs as well as experiencing sensual poetic sentiment. Therefore, it wasn’t until Wang Jingzhi’s arrival that modern Chinese poetry began in earnest to have the genre of love poem in its fullest sense.

목차 (Table of Contents)

• 1. 들어가는 말
• 2. 湖畔詩社와 『혜란 바람蕙的風』의 출현과 근대성
• 3. 왕징즈의 戀愛詩 분석과 근대성
• 4. 맺는 말
• 〈參考文獻〉
• 〈Abstract〉