This study analyzes the cognitive structure of novels in the late Joseon Dynasty. Focusing on Jingsebitaerok and Yun Seon-ok jeon, it explores how each narrative negotiates the interplay between abstract values and concrete experiences. Jingsebitaerok...
This study analyzes the cognitive structure of novels in the late Joseon Dynasty. Focusing on Jingsebitaerok and Yun Seon-ok jeon, it explores how each narrative negotiates the interplay between abstract values and concrete experiences. Jingsebitaerok depicts a protagonist oscillating between ideological loyalty to the Ming and pragmatic adaptation to Qing dominance, thereby dramatizing the regulation of political and ideological distance. Conversely, Yun Seon-ok jeon transforms the tangible suffering of war into the abstract value of familial solidarity, enacting the emotional transcendence of psychological distance. Both texts reveal a dynamic transition between abstraction and concreteness that mirrors the late Joseon intelligentsia’s cognitive strategies for understanding a changing world. Interpreting these processes through CLT underscores that late Joseon fiction was not merely a vehicle for moral or didactic discourse but a site of cognitive experimentation—where value, emotion, and perception were continuously reconstructed. This approach thus reframes classical Korean fiction as a narrative of cognition grounded in the aesthetics of psychological distance.