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      인류세 속 비인간동물 서사의 불가능성과 그 이면: 리처드 애덤스의 『플래이그 도그』를 중심으로 = Can we write about animals in the Anthropocene?: Richard Adams’ The Plague Dogs as the Contemplation on the Im/possibilities of the Animal Narrative

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      https://www.riss.kr/link?id=A108839955

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      다국어 초록 (Multilingual Abstract)

      Expanding the discussion of Anthropocene literature beyond the discussion of particular styles and genres of ‘human’ literature, this article focuses on the epistemological, artistical, and ethical crisis of the Anthropocene as represented in the crisis of narrative in the “animal tales” of the twentieth century. In the animal tales of the post-mid twentieth-century, the increasingly human-dominated and technologically-transformed world threatens the continuity of the tradition of the animal narrative itself: there hardly is left a place for animals to run, adventure, and find home in. Richard Adams’ s The Plague Dogs (1977) wrestles with the im/possibility of making up a believable-and-enjoyable animal adventure narrative in the time when there is literally no place for animals. The Plague Dogs consciously chooses to give its animal protagonists a miraculous “ escape” ending – over the “realistic” ending that reiterates the abject condition of animals in the system – , thus taking a provoking position in the broader meta-narrative debate concerning the fiction’ s role in the face of the unprecedented environmental crisis.
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      Expanding the discussion of Anthropocene literature beyond the discussion of particular styles and genres of ‘human’ literature, this article focuses on the epistemological, artistical, and ethical crisis of the Anthropocene as represented in the ...

      Expanding the discussion of Anthropocene literature beyond the discussion of particular styles and genres of ‘human’ literature, this article focuses on the epistemological, artistical, and ethical crisis of the Anthropocene as represented in the crisis of narrative in the “animal tales” of the twentieth century. In the animal tales of the post-mid twentieth-century, the increasingly human-dominated and technologically-transformed world threatens the continuity of the tradition of the animal narrative itself: there hardly is left a place for animals to run, adventure, and find home in. Richard Adams’ s The Plague Dogs (1977) wrestles with the im/possibility of making up a believable-and-enjoyable animal adventure narrative in the time when there is literally no place for animals. The Plague Dogs consciously chooses to give its animal protagonists a miraculous “ escape” ending – over the “realistic” ending that reiterates the abject condition of animals in the system – , thus taking a provoking position in the broader meta-narrative debate concerning the fiction’ s role in the face of the unprecedented environmental crisis.

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      참고문헌 (Reference)

      1 Richard Adams, "Watership Down" Puffin Books 2014

      2 Anja Hoing, "Unreliability and the Animal Narrator in Richard Adams’s The Plague Dogs" 6 (6): 2017

      3 Paul R. Ehrlich, "The Population Bomb Revisited" 1 (1): 63-71, 2009

      4 Paul R. Ehrlich, "The Population Bomb" Sierra Club 1968

      5 Richard Adams, "The Plague Dogs" Vintage Books 2016

      6 Sheila Burnford, "The Incredible Journey" Yearling Books 1997

      7 Lawrence Buell, "The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture" Harvard UP 280-310, 1995

      8 Jack London, "The Call of the Wild" Puffin Books 2008

      9 Eva Lövbrand, "The Anthropocene and the Geo-political Imagination: Re-writing Earth as Political Space" 4 : 2020

      10 Harriet Ritvo, "The Animal Estate: The English and Other Creatures in the Victorian Age" Harvard UP 125-166, 1987

      1 Richard Adams, "Watership Down" Puffin Books 2014

      2 Anja Hoing, "Unreliability and the Animal Narrator in Richard Adams’s The Plague Dogs" 6 (6): 2017

      3 Paul R. Ehrlich, "The Population Bomb Revisited" 1 (1): 63-71, 2009

      4 Paul R. Ehrlich, "The Population Bomb" Sierra Club 1968

      5 Richard Adams, "The Plague Dogs" Vintage Books 2016

      6 Sheila Burnford, "The Incredible Journey" Yearling Books 1997

      7 Lawrence Buell, "The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture" Harvard UP 280-310, 1995

      8 Jack London, "The Call of the Wild" Puffin Books 2008

      9 Eva Lövbrand, "The Anthropocene and the Geo-political Imagination: Re-writing Earth as Political Space" 4 : 2020

      10 Harriet Ritvo, "The Animal Estate: The English and Other Creatures in the Victorian Age" Harvard UP 125-166, 1987

      11 Rachel Carson, "Silent Spring" Houghton Mifflin 2002

      12 Eric Knight, "Lassie Come-Home" Square Fish 2007

      13 M. Jimmie Killingsworth, "Green Culture: Environmental Rhetoric in Contemporary America" U of Wisconsin P 21-45, 1996

      14 Robert Gottlieb, "Forcing the Spring: The Transformation of the American Environmental Movement" Island Press 121-160, 2005

      15 Diane L. Beers, "For the Prevention of Cruelty: The History and Legacy of Animal Rights Activism in the United States" Ohio UP 2006

      16 Timothy Clark, "Ecocriticism on the Edge: The Anthropocene as a Threshold Concept" Bloomsbury Publishing 2-3, 2015

      17 Anna Sewell, "Black Beauty: The Autobiography of a Horse" Puffin Books 2014

      18 Francisco Collado Rodriguez, "Beyond Satire: Richard Adams’s The Plague Dogs" 51-52, 1988

      19 Hannah Velten, "Beastly London: A History of Animals in the City" Reaktion Books 7-11, 2013

      20 Bernice Bovenkerk, "Animal Ethics in the Age of Humans: Blurring Boundaries in Human-animal Relationships" Springer 2016

      21 Peter Atkins, "Animal Cities: Beastly Urban Histories" Routledge 1-17, 2016

      22 Philip Shabecoff, "A Fierce Green Fire: The American Environmental Movement" Island Press 71-102, 2003

      23 W. Bruce Cameron, "A Dog’s Purpose: A Novel for Humans" Forge 2016

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