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      천사학(天使學)과 단테의 천사상(天使像) = Angelology and the Image of Angels in Dante`s Divine Comedy

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      https://www.riss.kr/link?id=A75045410

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Angels symbolize the belief that there is indeed an invisible world in God`s creation which we cannot grasp with conventional vision. We can distinguish three approaches to world of the invisible. One is philosophical angelology which investigates the very existence of the invisible world. Theological angelology, on the other hand, begins with the belief that there is indeed world beyond our conventional vision. I look however to the Aesthetics of Angelology which depicts the invisible world through allegory in literature and visual art. Such Aesthetics already suggests that Ancient People were familiar with the world of the invisible, and thus could represent it in visual art. With modernity, people came to depend on empirical examination, and skepticism about the invisible world. Insensitive to the realm of the invisible, modernity led to superficiality. This is critical even in the realm of self-knowledge where people have become reluctant to examine their invisible selves. I investigated the Christian tradition of angelology, especially the writings of the Fathers of the Early Church. For the Fathers, the mission of the angels was the salvation of human beings. For instance, Dionysius Areopagita wrote that the angels worked to help humankind to be like God in ceaseless love and wisdom. Much later, we find angels as a model of sanctity. For instance, St. Francis is described as a seraphim in love, and St. Dominic became like the cherubim in wisdom. This reflects sensitivity to an invisible world in an earlier literature and visual art.
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      Angels symbolize the belief that there is indeed an invisible world in God`s creation which we cannot grasp with conventional vision. We can distinguish three approaches to world of the invisible. One is philosophical angelology which investigates the...

      Angels symbolize the belief that there is indeed an invisible world in God`s creation which we cannot grasp with conventional vision. We can distinguish three approaches to world of the invisible. One is philosophical angelology which investigates the very existence of the invisible world. Theological angelology, on the other hand, begins with the belief that there is indeed world beyond our conventional vision. I look however to the Aesthetics of Angelology which depicts the invisible world through allegory in literature and visual art. Such Aesthetics already suggests that Ancient People were familiar with the world of the invisible, and thus could represent it in visual art. With modernity, people came to depend on empirical examination, and skepticism about the invisible world. Insensitive to the realm of the invisible, modernity led to superficiality. This is critical even in the realm of self-knowledge where people have become reluctant to examine their invisible selves. I investigated the Christian tradition of angelology, especially the writings of the Fathers of the Early Church. For the Fathers, the mission of the angels was the salvation of human beings. For instance, Dionysius Areopagita wrote that the angels worked to help humankind to be like God in ceaseless love and wisdom. Much later, we find angels as a model of sanctity. For instance, St. Francis is described as a seraphim in love, and St. Dominic became like the cherubim in wisdom. This reflects sensitivity to an invisible world in an earlier literature and visual art.

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      참고문헌 (Reference)

      1 利倉 隆, "天使の美術と物語" 東京: 美術出版社 1999

      2 Fox, Matthew., "The Physics of Angels" San Francisco: Harper San Francisco 1996

      3 Dante Alighieri, La Divina Commedia, tr. by Singleton C, "The Divine Comedy, Princeton U.P" 을유문화사 1995

      4 Lansing. R, "The Dante Encyclopedia" N.Y.: Garland Publishing, 2000

      5 Keck, D, "Angels and Angelology in the Middle Ages" Oxford U.P 1998

      1 利倉 隆, "天使の美術と物語" 東京: 美術出版社 1999

      2 Fox, Matthew., "The Physics of Angels" San Francisco: Harper San Francisco 1996

      3 Dante Alighieri, La Divina Commedia, tr. by Singleton C, "The Divine Comedy, Princeton U.P" 을유문화사 1995

      4 Lansing. R, "The Dante Encyclopedia" N.Y.: Garland Publishing, 2000

      5 Keck, D, "Angels and Angelology in the Middle Ages" Oxford U.P 1998

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2028 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2001-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.45 0.45 0.46
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.48 0.5 1.082 0.06
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