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    각본의 시각화에 대한 연구-프로덕션디자인을 중심으로- = A Study on Visualizing scenario

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    https://www.riss.kr/link?id=A104135292

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    A scenario contains all information about tasks and goals that people participating in film production must perform and achieve in their department. All areas of film production including direction obtain information on the film from the scenario and plan the general direction and methods of works in the areas. The production designer also analyzes the scenario and plans visualization in the preparatory stage of production. If a scenario is selected to make a movie, the director and the heads of different areas analyze the scenario based on their ideas through data collection, discussion, selection and control. In these processes, the style and form of the movie are decided and the decided guidelines are applied to all works of visualization in the department of fine arts. The production designer can visualize the theme and atmosphere of a scenario properly and stylize the personalities of characters faithfully only when he/she makes thorough research in the process of scenario analysis. The analysis and visualization of scenarios are extremely important in film production. It is because visual appearance, emotional atmosphere and the communication of themes depend on the results of the analysis and visualization of scenarios. Thus the present study examined factors that production designers must concentrate on in their scenario analysis and elements that they must consider in visualizing analyzed contents on the screen.
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    A scenario contains all information about tasks and goals that people participating in film production must perform and achieve in their department. All areas of film production including direction obtain information on the film from the scenario and ...

    A scenario contains all information about tasks and goals that people participating in film production must perform and achieve in their department. All areas of film production including direction obtain information on the film from the scenario and plan the general direction and methods of works in the areas. The production designer also analyzes the scenario and plans visualization in the preparatory stage of production. If a scenario is selected to make a movie, the director and the heads of different areas analyze the scenario based on their ideas through data collection, discussion, selection and control. In these processes, the style and form of the movie are decided and the decided guidelines are applied to all works of visualization in the department of fine arts. The production designer can visualize the theme and atmosphere of a scenario properly and stylize the personalities of characters faithfully only when he/she makes thorough research in the process of scenario analysis. The analysis and visualization of scenarios are extremely important in film production. It is because visual appearance, emotional atmosphere and the communication of themes depend on the results of the analysis and visualization of scenarios. Thus the present study examined factors that production designers must concentrate on in their scenario analysis and elements that they must consider in visualizing analyzed contents on the screen.

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    참고문헌 (Reference)

    1 "프로덕션디자이너의 작업과정에 관한 연구" (1) : 1999

    2 "영화에서의 장소와 색채의 창조적 사용" 12 : 1997

    3 "What an art director does" Silman-James Press 1994

    4 "What an art director does" Silman-James Press 1994

    5 "Theatrical Design and Production Mayfield" California 1987

    6 "The Filmmaker's Guide to Production Design" Allworth Press 2002

    7 "The Cinema as a Graphic Art"

    8 "Production Design for Television Focal Press" Boston 1993

    9 "Cinema & Architecture" 1996

    1 "프로덕션디자이너의 작업과정에 관한 연구" (1) : 1999

    2 "영화에서의 장소와 색채의 창조적 사용" 12 : 1997

    3 "What an art director does" Silman-James Press 1994

    4 "What an art director does" Silman-James Press 1994

    5 "Theatrical Design and Production Mayfield" California 1987

    6 "The Filmmaker's Guide to Production Design" Allworth Press 2002

    7 "The Cinema as a Graphic Art"

    8 "Production Design for Television Focal Press" Boston 1993

    9 "Cinema & Architecture" 1996

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-09-22 학회명변경 영문명 : Film Studies Association Of Korea (Fisak) -> Korean Cinema Association (KCA) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2006-04-09 학술지등록 한글명 : 영화연구
    외국어명 : Film Studies
    KCI등재후보
    2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.58 0.58 0.59
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.58 0.55 1.055 0.29
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