포크아트 樣式과 表現 技法을 應用한 바디페인팅 作品 硏究

다국어 초록 (Multilingual Abstract)

21st century the culture which is various is recognized and as time of pluralistic attention art the art of various style receives and respect opens the market of the art and is going. Is caused by with development of like this aesthetic sense and makeup artistic field the artiness is coming to be demanded with growth of beauty care industry. Reed painting which is one of makeup artistic field the indigenous artiness of interest and the expressive territory of masses only will be necessary knows reed painting and grafting making beauty care and art was combined the quality element of various style is growing with new art.
To recently the event choreography illumination, production etc. is effective in order leads from public performance art of the stage and the artiness and work characteristic to look better, is expressive, with avant garde and popular art with strong message produces an impression from like this change inside and as the art which is an indigenous of one individual is becoming the recognition. But reed painting in masses the style of reed painting calling forth an interest is unfamiliar so far from our country and daytime line culture is recognized and is not recognized concretely to be being and the reason also with the professional manpower tribe the scholastic research which is systematic does not become accomplished and as because not being sees.
So so far collection of data of reed painting which is to developmental phase smoothness and until commercial art and decorative art the reed painting work more and the fork art which is joined together Folk Art grafting does from meaning which expects the expansion of information sharing and diffuses scholastically sees that meaning composes the work which recovers from the artistic side, according to national by culture and emotion uniquely, the national art development gropes the expressive technique of the fork art which expresses with the anger law which is developed and sees and the painting door ocean which is our country fork art and the work reflects produces as in reed painting which is original expression of fork art Technique presented a grafting one research possibility and established meaning which raises a artiness put reed painting in indigenous artistic field. The work research and scholastic research of reed painting which applies the expressive technique of fork art with start accomplish the research which sees and route they wish and the place charging with the beauty care art which is developed more, does there is a questionable matter of the research which sees.
The research contents of the present paper leads and preceding research paper about history and theoretical process art quality and the element material of reed painting tries to investigate before the Tray which will be a conception legal principled process which is necessary to a design conception and a plan about tries to observe a theoretical background in reed painting production. Applies a fork art form and a technique and in order reed painting work research efficient, the concept, a historical national by fork art feature and a expressive technique of fork art in the center and to observe description below arranges tries, each country with style of characteristics uniquely, applies the basic technique and a material feeling control technique of the fork art which is formed and produces the reed painting work.
With research method work production investigate a reed painting general background in the center and the feature and a format and a technique of the national by fork art which is various and apply, the flower door double meaning technique which is trillion toe styles of Russia and a basic hemp cloth unemployment technique and apply the gun blooms rest to use a technique, scandal material feeling etc. naturally with pictures technique grafting
The building, and color the picture industrial product etc. and decorates and the painting door good-hearted person head beginning and the appendix which apply the image of East and West a fork art in reed painting the subject matter which is various lead and about low of the work to be how grafting do, researched. Also, with one rolled up and expressed completes and the work which with former production process of reed painting ladled the gun until the distant produced and the characteristic element of the work which is the possibility of feeling time effectively appeared in the work and the human body which express.
Like this research process with research result of the present paper to lead with after words escape did a same conclusion.
First. The fork art all artistic field is like that with this traditional folk tale passes by the transition period of modernization and reaches the painter with one style of the art which puts a base with the life fine arts of the populace where is not the professional wife's father tech Nick from pole factual depiction of the pure pictures according to variety and other use of the watercolor painting and acryl appeasing etc. subject matter interior decoration or to today and will be able to apply from which place. Also, a new motive and in today when the guard of the pure fine arts and the application fine arts comes to be dim provided there being a possibility to raise the artistic originative American sense of fork art, was made to know.
Second. Applied a subject matter and the image which come to seem plentifully from fork art and expresses in reed painting the basic technique of fork art in resultant reed painting which and applied the modern moulding sense and line sense him day this was manifested.
Three. Our country traditional color or expression of positive and negative principles, was not bound subject technique etc. and not to be with expressive technique of fork art harmonized well and the quality was well embossed.
Four, applied the concept and a quality of fork art in various angle and the possibility of the creation which is infini

목차 (Table of Contents)

• Ⅰ. 서론 = 1
• 1. 연구의 목적 = 1
• 2. 연구 내용과 방법 = 2
• Ⅱ. 바디 페인팅의 이론적 고찰 = 3
• 1. 바디 페인팅의 역사 = 3
• 2. 바디 페인팅의 개념 = 5
• 3. 바디 페인팅의 요소 = 7
• 4. 바디 페인팅의 재료 = 9
• 5. 바디 페인팅의 예술적 특성 = 13
• Ⅲ. 바디 페인팅의 디자인 구상 = 16
• 1. 바디 페인팅 디자인 원리 = 16
• 2. 바디 페인팅 디자인의 조건 = 18
• 3. 바디 페인팅 디자인의 구상법 = 20
• 4. 바디 페인팅 디자인 구상의 과정 = 21
• 5. 바디 페인팅 일러스트레이션 = 23
• Ⅳ. 포크 아트의 특징과 표현기법 = 27
• 1. 포크 아트의 기원과 역사 = 27
• 2. 포크 아트의 개념 = 30
• 3. 포크 아트의 표현 기법 = 32
• 4. 포크 아트의 재료와 도구 = 39
• 5. 국가별 포크 아트의 특징 = 40
• Ⅴ. 포크 아트 양식과 표현 기법을 응용한 바디페인팅 작품 제작 연구 = 49
• 1. 단청과 포크 아트 표현 기법을 응용한 작품 = 50
• 2. 조스토브 스타일의 양식과 포크 아트 기법을 응용한 작품 = 57
• 3. 단청 (별지화) 문양과 포크 아트 기법을 응용한 작품 = 62
• 4. 베이닝 기법 양식을 응용한 작품 = 68
• Ⅵ. 결론 = 73
• 참고문헌 = 75
• ABSTRACT = 77