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    ‘선녀결연 설화’의 유형과 전승 양상 - 中․韓 <견우와 직녀>와 <나무꾼과 선녀>를 중심으로 = Study on the Types and Aspects of the Transmission of the Angel-twinning Fairy-tales - In particular on Sino-Korean tales : Niu Lang and Zhi Nu vs. Gyonu and Jingnyo respectively

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Both in Korea and China, there is a custom of July 7 in the lunar calendar, or Qixi, and its fairy-tale that has been passed on orally. Through the world, there are "Swan-maiden Tales"-type-stories; The Angel(Young goddess) and the woodcutter tale represents that of Korea, and there are many types of tales in China. Such being the case, in this paper it goes by the name of "The Angel and the woodcutter tale." In China, there are two types of tales relating "July 7 in the lunar calendar", and one of them is similar to the tale of "Gyonu and Jingnyo." The love story between the two who are destined to meet each year on the 7th of the 7th lunar month"(The Double-Seventh Day). The story is, however, about to vanish. Another type of is the tale is "Niu Lang (Cowherd) and a fairy from heaven Zhi Nu (Weaver Maid)" which is a combination of the two stories of "Gyonu and Jingnyo" and that of "The Angel and the woodcutter."On the contrary, in Korea, the upper-mentioned two fairy-tales exist separately respectively, the two stories of "Gyonu and Jingnyo" and that of "The Angel and the woodcutter." That is, there is no type of the combination of the two stories. In China, there are three-type-of tale, namely, "Gyonu and Jingnyo" and that of "The Angel and the woodcutter, and its combination form as well. The combination is said to have been the universal stories of "The Four Legendary Tales." The tales of every three types is the one motivated by the twinning of the man and young goddess.
    This paper is to explore the characteristic of the transmission of the tales by comparing the transmitting procedures of the tales of Korea and China respectively.
    In so doing, the paper is to exploit the inevitability suggesting that the tale of "Niu Lang and Zhi Nu" has been developped into universal stories in China.
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    Both in Korea and China, there is a custom of July 7 in the lunar calendar, or Qixi, and its fairy-tale that has been passed on orally. Through the world, there are "Swan-maiden Tales"-type-stories; The Angel(Young goddess) and the woodcutter tale rep...

    Both in Korea and China, there is a custom of July 7 in the lunar calendar, or Qixi, and its fairy-tale that has been passed on orally. Through the world, there are "Swan-maiden Tales"-type-stories; The Angel(Young goddess) and the woodcutter tale represents that of Korea, and there are many types of tales in China. Such being the case, in this paper it goes by the name of "The Angel and the woodcutter tale." In China, there are two types of tales relating "July 7 in the lunar calendar", and one of them is similar to the tale of "Gyonu and Jingnyo." The love story between the two who are destined to meet each year on the 7th of the 7th lunar month"(The Double-Seventh Day). The story is, however, about to vanish. Another type of is the tale is "Niu Lang (Cowherd) and a fairy from heaven Zhi Nu (Weaver Maid)" which is a combination of the two stories of "Gyonu and Jingnyo" and that of "The Angel and the woodcutter."On the contrary, in Korea, the upper-mentioned two fairy-tales exist separately respectively, the two stories of "Gyonu and Jingnyo" and that of "The Angel and the woodcutter." That is, there is no type of the combination of the two stories. In China, there are three-type-of tale, namely, "Gyonu and Jingnyo" and that of "The Angel and the woodcutter, and its combination form as well. The combination is said to have been the universal stories of "The Four Legendary Tales." The tales of every three types is the one motivated by the twinning of the man and young goddess.
    This paper is to explore the characteristic of the transmission of the tales by comparing the transmitting procedures of the tales of Korea and China respectively.
    In so doing, the paper is to exploit the inevitability suggesting that the tale of "Niu Lang and Zhi Nu" has been developped into universal stories in China.

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    참고문헌 (Reference)

    1 傅學斌, "老牛破車七夕節"

    2 강옥, "칠석 견우직녀의 사랑 이야기" (3) : 2003

    3 姚寶瑄, "중국신화전설 1" 민음사 2002

    4 李周洪, "중국민담선" 正音社 1975

    5 배원룡, "나무꾼과 선녀 설화 연구" 집문당 1993

    6 전호태, "고구려 고분벽화의 직녀도" 한족역사연구회 (38) : 2000

    7 신원기, "견우직녀설화의 문학교육적 가치 연구" 부산대학교 2009

    8 曺斗鉉, "蕙園東洋古典4 詩經" 혜원출판사 1988

    9 洪淑苓, "牛郞織女硏究"

    10 黄梅戏, "牛郎织女"

    1 傅學斌, "老牛破車七夕節"

    2 강옥, "칠석 견우직녀의 사랑 이야기" (3) : 2003

    3 姚寶瑄, "중국신화전설 1" 민음사 2002

    4 李周洪, "중국민담선" 正音社 1975

    5 배원룡, "나무꾼과 선녀 설화 연구" 집문당 1993

    6 전호태, "고구려 고분벽화의 직녀도" 한족역사연구회 (38) : 2000

    7 신원기, "견우직녀설화의 문학교육적 가치 연구" 부산대학교 2009

    8 曺斗鉉, "蕙園東洋古典4 詩經" 혜원출판사 1988

    9 洪淑苓, "牛郞織女硏究"

    10 黄梅戏, "牛郎织女"

    11 李彥紅, "牛郎織女傳說在韓國的傳承和變異情況研究" 中國吉林大學 2007

    12 徐恒錫, "演劇日誌in耿岸徐恒錫全集 (6)" 荷山출판사 1987

    13 周玉嫻, "明淸時期牛郞織女文學的傳承與嬗變" 首都師範大學 2009

    14 李家俊, "孔雀公主型民間故事的起源和發展" (02) : 1985

    15 金東勛, "天鵝處女型’故事在朝鮮的流變"

    16 路 工, "古本平話小說集" 人民文學出版社 1999

    17 袁 珂, "中國神話史" 上海文藝出版社 1988

    18 葉 濤, "中國牛郎織女的傳說" 廣西師範大學出版社 2008

    19 俞成雲, "中國古代四大傳說在東北亞的傳播和影響研究" 中央民族大學 2004

    20 鄭振鐸, "中國俗文學史" 東方出版社 1996

    21 서은아, "<나무꾼과 선녀>와 <견우직녀>의 이야기 결합방식과 문학치료에의 적용가능성 모색" 한국문학치료학회 5 : 129-160, 2006

    22 姚寶瑄, "'召樹屯' '格拉斯青' 與'牛郎織女'之淵源關系" (05) : 1987

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.19 0.19 0.26
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.24 0.23 0.629 0.15
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