서사의 두 가지 일탈 방식; 함정임과 윤성희의 여성적 글쓰기를 중심으로 = The two methods of deviation of narration : focusing on ecriture feminine of Hahm Jung Im and Yoon Sung Hee

다국어 초록 (Multilingual Abstract)

Women’s works published in the 2000s find their ways out of the trite theme limited to sexual discrimination-motif instead of introducing novels that focus on novel’s narrative, thereby adopting writing style that prefers difference to uniformity, flow to unity, and floating organization to structure. This thesis will study the method of narration used in novels of Hahm and Yoon. These two writers oppose men-centered narration by focusing on the ordinary, restoring marginal voices and revealing the hidden truth. Ecriture feminine like this forms the process of finding solutions to overcome an identity crisis in the modern literature.
The main characters in Hahm’s novel–The Blue Eye in Your Heart– are women. However, a reason why an autobiographical novel hitherto treated as a typical pattern of women’s novel can be distinguished here as a deviation is because Hahm avoids using monologic language, and moves towards self-portrait of incompletion. Her novel goes in and out the world of illusion with multi voices and images floating around rather than gives clear answers to the questions about what women’s life means and what the reality is like toward them. Hahm’s ecriture feminine uses illusion symbolizing the desire repressed by social taboo that it particularly seems to be a breakthrough that would change women literature. This narration of illusion is concretely expressed through sensory organs of the human body, and therefore it does not lean toward surrealism but is rather read as a method to bear reality.
On the other hand, works included in Yoon’s–A Cold– rarely mention of self, while the third person nomenclatures of objective eye such as ‘father and mother’, ‘men and women’, and ‘older sister and younger sister’ are used. Yoon realizes ecriture feminine through describing lives of the surroundings rather than talking about life as a woman or a woman writer. Yoon challenges hegemonic discourse of the world with hesitating narration that opposes men’s logical regulation and with metonymic narration which has the characteristics of disruption that counters teleological narration. Metonymic writing allows her to skip the black-hole of reality, keeping her from falling into it. Furthermore, it breaks the boundary of dichotomous gender and expands femininity to generic term of the suppressed, thereby introducing another topographical map of women literature as ethics for others.

참고문헌 (Reference)

1 요한 호이징하, "호모 루덴스" 까치 2006

2 위르겐 슈람케, "현대소설의 이론" 문예출판사 1995

3 김현자, "한국여성시학" 깊은샘 1997

4 김미현, "한국여성소설과 페미니즘" 신구문화사 1996

5 여성문화이론연구소, "페미니즘과 정신분석" 여이연 2003

6 조세핀 도노번, "페미니즘과 문학" 문예출판사 1988

7 김해옥, "페미니즘 이론과 한국 현대 여성소설" 박이정 2005

8 송기한, "정현종 초기시의 환유적 성격과 그 의미 구조 연구" 한국문학이론과비평학회 11 (11): 141-166, 2007

9 아니카 르메르, "자크 라깡" 문예출판사 1994

10 김영찬, "윤성희 소설의 어떤 경향, 감정의 절약 이후" 2006

11 로지 브라이도티, "유목적 주체" 여이연 2005

12 권채린, "열림 혹은 닫힘, 거리의 서사- 윤성희론" 2005

13 안드레아 도킨, "여자는 무엇으로 사는가" 문학관 1990

14 김성례, "여성의 자기진술의 양식과 문체의 발견을 위하여" (9) : 1992

15 로만 야콥슨, "언어의 두 양상과 실어증의 두 유형 in: 문학 속의 언어학" 문학과지성사 1989

16 정정호, "성차와 ‘여성적 글쓰기’의 정치적 무/의식" (가을겨울) : 1992

17 하이비 콕스, "바보祭" 현대사상사 1982

18 윤대선, "레비나스의 타자철학" 문예출판사 2004

19 김광용, "놀이치료학" 학지사 2008

20 도널드 위니캇, "놀이와 현실" 한국심리치료연구소 1997

21 로제 카이와, "놀이와 인간" 문예출판사 2003

22 함정임, "네 마음의 푸른 눈" 문학동네 2006

23 김양선, "경계에 선 여성문학" 역락 2009

24 윤성희, "감기" 창비 2007

25 한국기호학회, "『기호학연구-은유와 환유』제5집" 문학과지성사 1999

26 Luce Irigary, "Sexual Difference in: French Feminist Thought" Blackwell 1987

27 J. Kristeva, "Revolution in Poetic Language" Columbia U.P. 1984

28 Helene Cixous, "Castration or Decapitation" 1981

29 허윤진, "5시57분" 문학과지성사 2007