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Α Β Γ Δ Ε Ζ Η Θ Ι Κ Λ Μ Ν Ξ Ο Π Ρ Σ Τ Υ Φ Χ Ψ Ω α β γ δ ε ζ η θ ι κ λ μ ν ξ ο π ρ σ τ υ φ χ ψ ω
á à Á À é è É È ç Ç ê
Ä Ö Ü ä ö ü ß
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‘ ’ “ ” 〔 〕 〈 〉 「 」 『 』 【 】 ＂ （ ） ［ ］ ｛ ｝
± × ÷ ≠ ≤ ≥ ∞ ∴ ♂ ♀ ∠ ⊥ ⌒ ∂ ∇ ≡ ≒ ≪ ≫ √ ∽ ∝ ∵ ∫ ∬ ∈ ∋ ⊆ ⊇ ⊂ ⊃ ∪ ∩ ∧ ∨ ￢ ⇒ ⇔ ∀ ∃ ∮ ∑ ∏ ＋ － ＜ ＝ ＞
、 。 · ‥ … ¨ 〃 ― ∥ ＼ ∼ ´ ～ ˇ ˘ ˝ ˚ ˙ ¸ ˛ ¡ ¿ ː ！ ＇ ， ． ／ ： ； ？ ＾ ＿ ｀ ｜
½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞ ¹ ² ³ ⁴ ⁿ ₁ ₂ ₃ ₄
Æ Ð Ħ IJ Ł Ø Œ Þ Ŧ Ŋ æ đ ð ħ ı ij ĸ ŀ ł ø œ ß þ ŧ ŋ ʼn
А Б В Г Д Е Ё Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ъ Ы Ь Э Ю Я а б в г д е ё ж з и й к л м н о п р с т у ф х ц ч ш щ ъ ы ь э ю я
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§ ※ ☆ ★ ○ ● ◎ ◇ ◆ □ ■ △ ▽ → ← ↑ ↓ ↔ 〓 ◁ ◀ ▷ ▶ ♤ ♠ ♡ ♥ ♧ ♣ ⊙ ◈ ▣ ◐ ◑ ▒ ▤ ▥ ▨ ▧ ▦ ▩ ♨ ☏ ☎ ☜ ☞ † ‡ ↕ ↗ ↙ ↖ ↘ ♭ ♩ ♪ ♬ ㉿ ㈜ № ㏇ ™ ㏂ ㏘ ℡ ＃ ＆ ＊ ＠ ª º
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      교고쿠파 가인의 여성가 = A Study on Women Poets of the Kyogoku School

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      https://www.riss.kr/link?id=A109559268

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      In a broad sense, “female song” refers to “poetry with a woman as the subject,” contrasting with “male song,” which is recited by a man. This study examined the expression of “waka” by female poets of the Kyogoku School. Compared to other Imperial anthologies, Gyokuyoshu contains a particularly large number of waka written by women. Among the poems attributed to Kyogoku poets, 264 (about 9.4%) were composed by women. In contrast, Fugashu contains 508 poems by female poets (approximately 22.98 %), which is slightly more than Gyokuyoshu.
      A characteristic feature of waka by female poets of the Kyogyoku School is the frequent use of taigendome, a poetic structure in which the fifth phrase ends with a noun. The word that appears most frequently in taigendome verses by female poets in Gyokuyoshu and Fugashu is “sunset” (ゆふぐれ).
      “Sunset” became a distinctive poetic expression not often found in other song collections and was included in several songs of the Kyogoku School.
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      In a broad sense, “female song” refers to “poetry with a woman as the subject,” contrasting with “male song,” which is recited by a man. This study examined the expression of “waka” by female poets of the Kyogoku School. Compared to ot...

      In a broad sense, “female song” refers to “poetry with a woman as the subject,” contrasting with “male song,” which is recited by a man. This study examined the expression of “waka” by female poets of the Kyogoku School. Compared to other Imperial anthologies, Gyokuyoshu contains a particularly large number of waka written by women. Among the poems attributed to Kyogoku poets, 264 (about 9.4%) were composed by women. In contrast, Fugashu contains 508 poems by female poets (approximately 22.98 %), which is slightly more than Gyokuyoshu.
      A characteristic feature of waka by female poets of the Kyogyoku School is the frequent use of taigendome, a poetic structure in which the fifth phrase ends with a noun. The word that appears most frequently in taigendome verses by female poets in Gyokuyoshu and Fugashu is “sunset” (ゆふぐれ).
      “Sunset” became a distinctive poetic expression not often found in other song collections and was included in several songs of the Kyogoku School.

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