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Art history for filmmakers : the art of visual storytelling

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https://www.riss.kr/link?id=M14511589

저자

McIver, Gillian
발행사항
London ; New York, NY : Fairchild Books, an imprint of Bloomsbury Publishing PIc, 2016
발행연도
2016
작성언어
영어
주제어

Art and motion pictures ; Painting ; ART / Film & Video ; PERFORMING ARTS / Film & Video / Direction & Production ; ART / History / General ; ART / Mixed Media
DDC
700.9 판사항(23)
ISBN
9781472580658 (paperback)
1472580656 (paperback)
자료형태
일반단행본
발행국(도시)
England
서명/저자사항
Art history for filmmakers : the art of visual storytelling / Gillian McIver.
형태사항
256 p. ; 27 cm.
일반주기명
Machine generated contents note: -- Introduction -- What is art history and how does it relate to cinema history?; How is art history useful for filmmakers?; Painting as a record of what the past looked like in the imagination of artists; Painting and the use of visual language; A brief linear (traditional) history of art; Towards an "alternative" history of art -- Chapter 1: Visual Culture and Storytelling -- Narrative and storytelling in art; Narrative in painting and cinema; Case study: William Hogarth's The Rake's Progress,and Darren Aronofsky's Requiem for a Dream; Exercise; Discussion questions -- Chapter 2: Creating the Visual - Perspective, Colour and Lighting -- A brief history of perspective; Colour theory and colour psychology; How to use light; Case Study: Rembrandt, and Peter Greenaway's The Cook, the Thief, His Wife and Her Lover and Nightwatching; Exercise; Discussion questions -- Chapter 3: Realism in Visual Art -- Realism; What is representation?; Art after photography: Modern conceptions of realism in art; Case study: Johannes Vermeer, and Peter Webber's The Girl with the Pearl Earring (DoP Eduardo Serra); Exercise; Discussion questions -- Chapter 4: Beyond Realism -- Fantasy worlds in cinema and art; Oneiric: The world of dreams; Surrealism; Going beyond the real; Case study: Jack Cardiff (DoP) and A Matter of Life and Death (dir. Michael Powell and Emeric Pressburger); Exercise; Discussion questions -- Chapter 5: Sex and Violence -- Sex; Violence; Case study: Caravaggio, and Martin Scorsese's Taxi Driver ; Exercise; Discussion questions -- Chapter 6: Horror -- From dream to nightmare; Monsters; Case study: Francisco Goya, and Guillermo del Toro's Pan's Labyrinth and Pacific Rim; Exercise; Discussion questions -- Chapter 7: Landscape -- What is landscape painting?; The Western; Case study: Albert Beirstadt, Andrew Wyeth, and Ed Harris's Appaloosa. Exercise; Discussion questions -- Chapter 8: History and Heroism -- History painting: Victory, virtue, and the hero; Case study: Quentin Tarantino's Diango Unchained and Gainsborough's Blue Boy; Exercise; Discussion questions -- Chapter 9: Modern Movements -- Expressionism; Minimalism; Beyond Western culture; Case study: Katsushika Hokusai and Disney; Cinema as contemporary art; Exercise; Discussion questions -- Chapter 10: Conclusion - Using art history in film-making -- Film-making roles and art; Case study: Terrence Malick, Nestor Almendros and Andrew Wyeth (Days of Heaven); Case study: Conrad Hall, Sam Mendes and Edward Hopper (Road to Perdition); Case study: Wally Pfister, Christopher Nolan and MC Escher (Inception).
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- 경희대학교 중앙도서관
- 동국대학교 중앙도서관

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서점명	서명	판매현황	종이책			전자책 구매링크
서점명	서명	판매현황	정가	판매가(할인율)	포인트(포인트몰)	전자책 구매링크
	Art History for Filmmakers: The Art of Visual Storytelling	품절	91,100원	74,700원 (18%)	3,740포인트 (5%)