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      셰익스피어극 현대공연의 문제점과 해결방안

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      다국어 초록 (Multilingual Abstract)

      This paper seeks to find solutions for the most serious problems concerning modern Shakespearean performances on the basis of recent Shakespearean productions in England: The Winter's Tale, The Tempest and Pericles at Shakespeare's Globe Theatre as well as Twelfth Night at Royal Shakespeare Theatre (RST).
      The most serious problem with the modern Shakespearean production is, as in the Globe Theatre's Winter's Tale, to make the bard's play an old-fashioned 'heritage theater.' Such a production is superfluously faithful to the play's historical background in setting and costume; moreover, it neither searches the play for new meanings nor attempts any novel and effective means of theatrical representation. Another problem is exemplified by Twelfth Night at RST which rests content with the existing interpretations of the play, although it invents impressive theatrical devices as well as modernizes the play's setting. Still another problem is revealed by The Tempest at the Globe Theatre which demonstrates the three requirements-exploration of new meanings, appropriate modernization of the past, and exhibition of creative theatrical skills-but confuses the audience by failing to coordinate the three in harmony.
      Pericles at the Globe Theatre in 2005 gives solutions to all the three problems listed above. It widens the perspective of interpreting the play by exploring the play's subtext, highlights the modern relevance and significance of those meanings to the audience by modernizing the setting, and delivers those meanings impressively by using a variety of effective dramatic devices in characterization, acting, and staging. Through all these means, this production succeeds to serve the needs of the contemporary audience by making them actively participate in the play and benefit from it to the highest degree, which is the most important way of solving problems with modern Shakespearean performances.
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      This paper seeks to find solutions for the most serious problems concerning modern Shakespearean performances on the basis of recent Shakespearean productions in England: The Winter's Tale, The Tempest and Pericles at Shakespeare's Globe Theatre as we...

      This paper seeks to find solutions for the most serious problems concerning modern Shakespearean performances on the basis of recent Shakespearean productions in England: The Winter's Tale, The Tempest and Pericles at Shakespeare's Globe Theatre as well as Twelfth Night at Royal Shakespeare Theatre (RST).
      The most serious problem with the modern Shakespearean production is, as in the Globe Theatre's Winter's Tale, to make the bard's play an old-fashioned 'heritage theater.' Such a production is superfluously faithful to the play's historical background in setting and costume; moreover, it neither searches the play for new meanings nor attempts any novel and effective means of theatrical representation. Another problem is exemplified by Twelfth Night at RST which rests content with the existing interpretations of the play, although it invents impressive theatrical devices as well as modernizes the play's setting. Still another problem is revealed by The Tempest at the Globe Theatre which demonstrates the three requirements-exploration of new meanings, appropriate modernization of the past, and exhibition of creative theatrical skills-but confuses the audience by failing to coordinate the three in harmony.
      Pericles at the Globe Theatre in 2005 gives solutions to all the three problems listed above. It widens the perspective of interpreting the play by exploring the play's subtext, highlights the modern relevance and significance of those meanings to the audience by modernizing the setting, and delivers those meanings impressively by using a variety of effective dramatic devices in characterization, acting, and staging. Through all these means, this production succeeds to serve the needs of the contemporary audience by making them actively participate in the play and benefit from it to the highest degree, which is the most important way of solving problems with modern Shakespearean performances.

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      참고문헌 (Reference)

      1 "Twelfth Night" Stratford-upon-Avon. 2005

      2 "Throne of Blood Based on William Shakespeare's Macbeth" and mi (and mi): 1957

      3 "The Winter's Tale" 2005

      4 "The Winter's Tale" 811-814, 2005

      5 "The Tempest." 2005

      6 "The Tempest." 659-663, 2005

      7 "The Tempest" 659-63, 2005

      8 "The Tempest" 659-63, 2005

      9 "Pericles" 744-747, 2005

      10 "Looking at Shakespeare A Visual History of Twentieth-Century Performance" Cambridge UP, 1996

      1 "Twelfth Night" Stratford-upon-Avon. 2005

      2 "Throne of Blood Based on William Shakespeare's Macbeth" and mi (and mi): 1957

      3 "The Winter's Tale" 2005

      4 "The Winter's Tale" 811-814, 2005

      5 "The Tempest." 2005

      6 "The Tempest." 659-663, 2005

      7 "The Tempest" 659-63, 2005

      8 "The Tempest" 659-63, 2005

      9 "Pericles" 744-747, 2005

      10 "Looking at Shakespeare A Visual History of Twentieth-Century Performance" Cambridge UP, 1996

      11 "From the Old Vic to Gielgud and Olivier" Oxford UP 139-59, 1996

      12 "By William Shakespeare" 2005

      13 "An Introduction to Drama" 1967

      14 "A Cultural History from the Restoration to the Present" 1991

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.12 0.12 0.14
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.12 0.11 0.561 0.03
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