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      탈근대 관광시대의 문화원형의 기호학적 분석과 의미해석 = (A) semiotic analysis of cultural prototype in the post-modern tourism era and interpretation of its meaning

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      https://www.riss.kr/link?id=T13880709

      • 저자
      • 발행사항

        경주 : 慶州大學校, 2012

      • 학위논문사항

        학위논문(박사) -- 慶州大學校 大學院 , 觀光學科 , 2012

      • 발행연도

        2012

      • 작성언어

        한국어

      • KDC

        326.39 판사항(5)

      • DDC

        338.4791 판사항(21)

      • 발행국(도시)

        경상북도

      • 형태사항

        iv, 123 p. : 삽화 ; 26 cm

      • 일반주기명

        참고문헌: p. 110-120

      • 소장기관
        • 국립중앙도서관 국립중앙도서관 우편복사 서비스
        • 신경주대학교 학술정보원 소장기관정보
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      부가정보

      다국어 초록 (Multilingual Abstract)

      It can be asserted that tourism has been affected by the development of
      transportation means, an increase of the income, and rise in leisure time before it
      has been publicized. What is more attentive is that the impact of postmodernism,
      which can be understood as the severance from modernism or as the deepening
      process of the modernism, is found in tourism experience. In the meantime, today’s
      cultural economy leads to qualitative growth of cultural products, and in tourism
      industry, a lot of efforts and time are spent in commercializing cultural prototypes
      of each region.
      번역하기

      It can be asserted that tourism has been affected by the development of transportation means, an increase of the income, and rise in leisure time before it has been publicized. What is more attentive is that the impact of postmodernism, which can be u...

      It can be asserted that tourism has been affected by the development of
      transportation means, an increase of the income, and rise in leisure time before it
      has been publicized. What is more attentive is that the impact of postmodernism,
      which can be understood as the severance from modernism or as the deepening
      process of the modernism, is found in tourism experience. In the meantime, today’s
      cultural economy leads to qualitative growth of cultural products, and in tourism
      industry, a lot of efforts and time are spent in commercializing cultural prototypes
      of each region.

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      목차 (Table of Contents)

      • Ⅰ. 서 론 ············································································································1
      • 1. 문제 제기·················································································································1
      • 2. 연구 목적·················································································································5
      • 3. 연구 방법 및 범위 ·································································································6
      • 1) 연구 방법 ·······················································································································6
      • Ⅰ. 서 론 ············································································································1
      • 1. 문제 제기·················································································································1
      • 2. 연구 목적·················································································································5
      • 3. 연구 방법 및 범위 ·································································································6
      • 1) 연구 방법 ·······················································································································6
      • 2) 연구 범위 ·······················································································································7
      • Ⅱ. 이론적 배경 ·································································································9
      • 1. 탈근대 사회와 관광 ·······························································································9
      • 1) 근대와 탈근대 ···············································································································9
      • 2) 탈근대 관광현상과 관광객 속성 ·············································································16
      • 3) 탈근대 관광과 진정성 ·······························································································22
      • 2. 탈근대 관광의 문화원형과 기호학 ···································································30
      • 1) 탈근대 사회에서의 문화원형 ···················································································30
      • 2) 문화원형의 관광자원화와 의미해석 ·······································································39
      • 3) 문화원형의 의미해석을 위한 기호학적 방법론 ···················································43
      • Ⅲ. 연구의 접근방법 ·······················································································48
      • 1. 분석 목적과 대상·································································································48
      • 2. 연구 분석 틀·········································································································48
      • 1) 기호학적 의미 생성 경로 ·····························································································48
      • 2) 행동자 모델 ·····················································································································51
      • 3) 기호학적 사각형 ·············································································································53
      • 3. 분석 방법···············································································································57
      • Ⅳ. 문화원형의 기호학적 사례 분석 ·························································59
      • 1. 분석 대상의 개요·································································································59
      • 1) 분석 대상에 대한 전제 ·····························································································59
      • 2) 분석 대상의 개요 ·······································································································62
      • 2. 설화의 기호학적 분석·························································································69
      • 1) 아사달 아사녀 설화의 분석 ·····················································································69
      • 2) 지귀 설화의 분석 ·······································································································77
      • 3) 아사달 아사녀 설화와 지귀 설화의 의미 비교 ···················································87
      • 3. 탈근대 관광에서의 문화원형의 의미와 활용 ·················································92
      • 1) 탈근대 관광 관점에서 문화원형의 의미해석 ·······················································92
      • 2) 문화원형의 관광적 활용 ···························································································96
      • Ⅴ. 결론 및 시사점 ·······················································································103
      • 1. 연구 결과의 요약·······························································································103
      • 2. 시사점···················································································································106
      • 3. 연구의 한계·········································································································108
      • 참 고 문 헌 ····································································································110
      • Abstract ··········································································································121
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