이용악론 : 고향 모티프의 의미충위를 중심으로 = A Study on the poet Lee Yong -AK

다국어 초록 (Multilingual Abstract)

The purpose of study in this thesis was approached from the poetic conscionsness senses that appears in his poesm revolving around the motif of native home which shows up in the poet Lee long-ak. And this study attemped to claim the semiotics as a methodology of study.
Seeking to reconstruct on the web of meaning of 'culture fance', his poetry be began to composing a poem under the rule of Japannese imperialism, and he preponderantly developed the conversion from self-consciousness to social consciousness in the first collected poems of "Bun-su-ryoung , the tragedy of fatherland that was falling into dilapidation on the colonial era in the 2nd collected poems of "nark-keun-gip", and the tragedy of wrethched who were expelled from their desolate motheland in the 3rd collected poems.
this poetic sense of his has lasted in the space of emancipation from Japanese rule, and then this popular conscionsness in his poetry in rooted in indigenous popular consciousness, not the influence of maxism which was overwelming at the time.

목차 (Table of Contents)

• 1.머리말
• 2.「분수령」 그 경계의 의미
• 3.고향 모티프의 의미층위
• 1) 절망적인 세계인식과 궁핍
• 2) 고향의 외연적 의미화 단계
• 3) 고향의 내포적 의미화 단계
• 4.맺음말