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    『제 5 도살장』  :  세계와 주체성 = Slaughterhouse-Five : The World and the Subjectivity

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    https://www.riss.kr/link?id=A75058064

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Kurt Vonnegut's Slaughterhouse-Five, a metafiction, is a nonlinear novel which calls the realist novels into question, It makes readers see the reality as a fabric in and through which they live. It examines the world and human subject which is constituted through ideological, discursive, and linguistic processes.
    Metafiction is a self-referential writing about the novel itself which exposes the limitations and contradictions of the novel. The realist novels underpin and bolster the modern discourse by interpellating individuals to the positions in the ideological practices of a society. Examining the process in which a novel is written through, Slaughterhouse-Five suggests that the novel and the world is not so much a 'work' as a 'text' which opens linguistic signs, facts, and voices up to nonlinear/multilinear crosses, movements, and collisions.
    In this textual space, the modern white male discourse and the transcendental subject privileged and conveyed by the modern discourse is demystified. The world and reality as constructs of signifying process lead us to learn the real condition of us in the society. Denying the linear realist narrative tradition and its presuppositions, SIaughterhouse-Five helps us to refuse the modern coercive subject and recover our own voice and subjectivity.
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    Kurt Vonnegut's Slaughterhouse-Five, a metafiction, is a nonlinear novel which calls the realist novels into question, It makes readers see the reality as a fabric in and through which they live. It examines the world and human subject which is consti...

    Kurt Vonnegut's Slaughterhouse-Five, a metafiction, is a nonlinear novel which calls the realist novels into question, It makes readers see the reality as a fabric in and through which they live. It examines the world and human subject which is constituted through ideological, discursive, and linguistic processes.
    Metafiction is a self-referential writing about the novel itself which exposes the limitations and contradictions of the novel. The realist novels underpin and bolster the modern discourse by interpellating individuals to the positions in the ideological practices of a society. Examining the process in which a novel is written through, Slaughterhouse-Five suggests that the novel and the world is not so much a 'work' as a 'text' which opens linguistic signs, facts, and voices up to nonlinear/multilinear crosses, movements, and collisions.
    In this textual space, the modern white male discourse and the transcendental subject privileged and conveyed by the modern discourse is demystified. The world and reality as constructs of signifying process lead us to learn the real condition of us in the society. Denying the linear realist narrative tradition and its presuppositions, SIaughterhouse-Five helps us to refuse the modern coercive subject and recover our own voice and subjectivity.

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    참고문헌 (Reference)

    1 Zavarzadeh, Mas’ud, "Theory as Resistence:Politics and Culture after(Post)structuralsim" Guilford 1994

    2 Silverman, Kaja., "The Subject of Semiotics" Oxford UP 1984

    3 Lyotard, Jean Francois., "The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi" Minneapolis: UP of Minnesota 1984

    4 Bradbury, Malcom., "The Modern American Novel" New York: Oxford UP 1984

    5 Barthes, Roland, "The Death of the Author" London: Fontana 142-148, 1977

    6 Vonnegut, Jr., Kurt., "Slaughterhouse-Five or The Children's Crusade: A Duty Dance with Death" New York: Deli Publishing 1969

    7 Kristiva, Julia., "Revolution in Poetic Language" New York: Columbia UP 1984

    8 McHale, Brian., "Postmodernist Fiction" Methuen 1987

    9 Gaggi, Silvio., "Modern/Postmodern: A Study in Twentieth-century Arts and Ideas" Philadelphia: U of Pennsylvania P 1989

    10 Waugh, Patricia., "Metafiction: The Theory and Practice of Self-Conscious Fiction" New York: Methuen 1984

    1 Zavarzadeh, Mas’ud, "Theory as Resistence:Politics and Culture after(Post)structuralsim" Guilford 1994

    2 Silverman, Kaja., "The Subject of Semiotics" Oxford UP 1984

    3 Lyotard, Jean Francois., "The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi" Minneapolis: UP of Minnesota 1984

    4 Bradbury, Malcom., "The Modern American Novel" New York: Oxford UP 1984

    5 Barthes, Roland, "The Death of the Author" London: Fontana 142-148, 1977

    6 Vonnegut, Jr., Kurt., "Slaughterhouse-Five or The Children's Crusade: A Duty Dance with Death" New York: Deli Publishing 1969

    7 Kristiva, Julia., "Revolution in Poetic Language" New York: Columbia UP 1984

    8 McHale, Brian., "Postmodernist Fiction" Methuen 1987

    9 Gaggi, Silvio., "Modern/Postmodern: A Study in Twentieth-century Arts and Ideas" Philadelphia: U of Pennsylvania P 1989

    10 Waugh, Patricia., "Metafiction: The Theory and Practice of Self-Conscious Fiction" New York: Methuen 1984

    11 Eagleton, Terry., "Literary Theory: An Introduction" Oxford: Basil Blackwell 1996

    12 Althusser, Louis., "Ideology and Ideological State Apparatuses" New York: Monthly Review 83-126, 1972

    13 Barthes, Roland., "From Work to Text" London: Fontana 155-164, 1977

    14 Belsey, Catherine., "Critical Practice" London: Routledge 2002

    15 Lentricchia, Frank., "After the New Criticism" Chicago: U of Chicago P 1980

    16 Selden, Raman, "A Reader's Guide to Contemporary Literary Theory" Lexington: UP of Kentucky 1993

    17 Hutcheon, Linda., "A Poetics of Postmodernism: History, Theory, Fiction" New York: Routledge 1988

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    2020-01-29 학술지명변경 외국어명 : The New Korean Journal of English Lnaguage & Literature -> The New Korean Journal of English Language & Literature KCI등재
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