<뎡상공회방가(回榜歌)>의 작품세계와 수용자의 반응 = The World of Work of Jeongsanggonghoebangga and Audience’s Responses

다국어 초록 (Multilingual Abstract)

This paper aims to understand the world of work of Jeongsanggonghoebangga written to congratulate ‘Hoebang’ to celebrate the 60th (diamond) anniversary of the passing of the state examination by Jeong Won­yong(1783~1873) and its audience’s responses and find the value of this work in the flow of the history of Gasa literature of the 19th century.
Jeongsanggonghoebangga is a work developed together with ‘narrative, Hoehon ceremony, Hoebang banquet, eightieth birthday party and creative motivation’ from the perspective of a female writer who attended Jeong Won­yong’s Hoebang banquet. The part related to ‘Hoehon ceremony(Diamond Wedding)’ was only briefly presented to bring his happiness and wealth into relief, and the main contents are for the description of the specific procedures of the Hoebang banquet. This female writer materialized impressive scenes in the subsequent parties, staying at Jeong Won­yong’s house from February 6, 1862 when the Hoebang banquet was held through February 18 when his eightieth birthday party was held. In other words, while the writer followed the procedures of the Hoebang banquet or the eightieth birthday party from an objective perspective, she celebrates ‘temporal happiness and wealth’ of the person having Hoebang and expresses her own emotions envying him from a delicate, subjective perspective of a woman reaching particular scenes.
Like this, the theme of ‘temporal happiness and wealth’ implied in Jeongsanggonghoebangga became an opportunity through which in a tough reality, it was widely received by those who craved for an ideal life. Some people accepted the work as it was and mass produced different versions with a little variation in words, while as ‘Hoebang’ is only enjoyed by particular bureaucracy, other people newly adapted it as a work like Jeongseungsanghoehonga to bring the meaning of ‘Hoehon’ which can be sympathized by more people. In other words, among the audiences of Jeongsanggonghoebangga, those with an excellent ability maintained its basic structure and changed it as a work in which the couple enjoys happiness and wealth sharing married years together till their latter years. All these can be said to be caused by the desire for ‘realistic happiness and wealth’ of the contemporary people.
However, considering the fact that the period in which a specific interest in ‘temporal happiness and wealth’ in everyday space was culturally expressed was around the 19th century, the work like Jeongsanggonghoebangga that celebrates and envies Jeong Won­yong’s temporal happiness and wealth, also was written and widely enjoyed in the same cultural context.

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