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      김해 칠점산(七點山) 관련 한시의 심상(心象)과 그 의미 = Imagery and Meaning of Chinese poetry about GimHae(金海) Chiljeomsan(七點山)

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      https://www.riss.kr/link?id=A99970593

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      국문 초록 (Abstract)

      Chiljeomsan(칠점산) has belonged to Yangsan(양산), Gimhae(김해) and Busan(부산) diachronically as the administration changes, but its origin is Garak Kingdom(駕洛國). Chiljeomsan shows a fantastic scenery with three fountains(三分水) and other various natural features around them. Poets have depicted it as a fairyland (仙界). Chiljeomsan is the place where Chamsiseonin(참始仙人)liveda life of Taoist hermit with miraculous powers by playing the geomungo(Korean musical instrument with six strings), who went to Chohyeondae(招賢臺) in response to King Geodeung(居登王)`s call and kept company with him. King Geodeung established national systems of maintenance following the foundation of King Suro, but he lacked something. That was music, a basis of criterion and harmony. Chamsiseonin was a hermit to open Garak Kingdom with King Geodeung like the morning sunshine and Chiljeomsan where he lived was a source providing him with vitality. While Chiljeomsan is a fairyland providing Chiljeomsanin with vitality, Chohyeondae is a secular place where he provided vitality for the foundation of a new nation. Peotic expressions of Chiljeomsan, a relative comparison place, are found in poets of Goryeo and Joseon dynasty. They visualized Chiljeomsan as an ideal world in opposition to the reality, but did not depict it as an absolute fairyland of Toaist hermit with miraculous powers to aim out of the mundane world. These are restraints of government posts to public officials and to poets, who noticed the chaotic reality but not went out of everyday lives, a peaceful world where chaos sleeps. In other words, they wished their poems turned to Chamsiseonin in Chiljeomsan, but these were just expressions of regret for their lives as they couldn`t leave this secular world.
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      Chiljeomsan(칠점산) has belonged to Yangsan(양산), Gimhae(김해) and Busan(부산) diachronically as the administration changes, but its origin is Garak Kingdom(駕洛國). Chiljeomsan shows a fantastic scenery with three fountains(三分水) an...

      Chiljeomsan(칠점산) has belonged to Yangsan(양산), Gimhae(김해) and Busan(부산) diachronically as the administration changes, but its origin is Garak Kingdom(駕洛國). Chiljeomsan shows a fantastic scenery with three fountains(三分水) and other various natural features around them. Poets have depicted it as a fairyland (仙界). Chiljeomsan is the place where Chamsiseonin(참始仙人)liveda life of Taoist hermit with miraculous powers by playing the geomungo(Korean musical instrument with six strings), who went to Chohyeondae(招賢臺) in response to King Geodeung(居登王)`s call and kept company with him. King Geodeung established national systems of maintenance following the foundation of King Suro, but he lacked something. That was music, a basis of criterion and harmony. Chamsiseonin was a hermit to open Garak Kingdom with King Geodeung like the morning sunshine and Chiljeomsan where he lived was a source providing him with vitality. While Chiljeomsan is a fairyland providing Chiljeomsanin with vitality, Chohyeondae is a secular place where he provided vitality for the foundation of a new nation. Peotic expressions of Chiljeomsan, a relative comparison place, are found in poets of Goryeo and Joseon dynasty. They visualized Chiljeomsan as an ideal world in opposition to the reality, but did not depict it as an absolute fairyland of Toaist hermit with miraculous powers to aim out of the mundane world. These are restraints of government posts to public officials and to poets, who noticed the chaotic reality but not went out of everyday lives, a peaceful world where chaos sleeps. In other words, they wished their poems turned to Chamsiseonin in Chiljeomsan, but these were just expressions of regret for their lives as they couldn`t leave this secular world.

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      참고문헌 (Reference)

      1 "禮記"

      2 李學逵, "洛下生集"

      3 李德懋, "靑莊館全書"

      4 "邑誌, 慶尙道金海府邑誌" 아세아문화사 1982

      5 安軸, "謹齋先生集"

      6 허훈, "舫山先生文集"

      7 許穆, "眉叟記言"

      8 尹愭, "無名子集"

      9 黃景源, "江漢集"

      10 허적, "水色集"

      1 "禮記"

      2 李學逵, "洛下生集"

      3 李德懋, "靑莊館全書"

      4 "邑誌, 慶尙道金海府邑誌" 아세아문화사 1982

      5 安軸, "謹齋先生集"

      6 허훈, "舫山先生文集"

      7 許穆, "眉叟記言"

      8 尹愭, "無名子集"

      9 黃景源, "江漢集"

      10 허적, "水色集"

      11 "新增東國輿地勝覽"

      12 李萬敷, "息山集"

      13 姜大遂, "寒沙先生文集"

      14 曺命采, "奉使日本時聞見錄"

      15 申益愰, "克齋先生文集"

      16 一然, "三國遺事"

      17 金富軾, "三國史記"

      18 엄경흠, "七點山詩의 樣相과 鄭夢周의 金海 體驗詩" 포은학회 5 : 37-60, 2010

      19 정경희, "2세기 후반~3세기 전반 신라의 仙道와 ‘勿品波珍飡(勿稽子)’" 한국도교문화학회 37 : 9-45, 2012

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2028 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-05-02 학술지명변경 외국어명 : Jornal of Seokdang Academy -> Journal of Seokdang Academy KCI등재
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2015-03-25 학술지명변경 외국어명 : 미등록 -> Jornal of Seokdang Academy KCI등재
      2012-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2008-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2007-01-02 학회명변경 한글명 : 석당전통문화연구원 -> 석당학술원
      영문명 : Seokdang Academic Research Institute of Traditional Culture Dong-A University -> Seokdang Academy
      KCI등재후보
      2006-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.62 0.62 0.59
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.51 0.46 1.395 0.19
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