The Formation of National Identity in the film “Welcome to Dongmakgol” Boo Eung Koh (Chung-Ang University) Comparative studies can be defined as a study of difference in that any comparison presupposes a difference between those compared objects...
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https://www.riss.kr/link?id=A104906567
2006
-
KCI등재
학술저널
191-210(20쪽)
3
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The Formation of National Identity in the film “Welcome to Dongmakgol” Boo Eung Koh (Chung-Ang University) Comparative studies can be defined as a study of difference in that any comparison presupposes a difference between those compared objects...
The Formation of National Identity in the film “Welcome to Dongmakgol”
Boo Eung Koh (Chung-Ang University)
Comparative studies can be defined as a study of difference in that any comparison presupposes a difference between those compared objects. In general, any cognitive activity is a study of difference because a cognitive subject can see a cognized object only in its difference with others. Since comparative literature studies deal with the cultural product constructed in language and its culture in a broad sense, it can be said to be a study of cultural difference. The film “Welcome to Dongmakgol” is a good case for the consideration of cultural difference and national identity formation. While the rise of national consciousness and thereby nation-building in the 18th century was a product of print capitalism as presented in Benedict Anderson's Imagined Communities, the national identity as formed in the film is a product of film audience's identification with the Dongmakgol community, in which the key for the national building is the Korean language. However, since film language is constituted of images based analogon unlike the arbitrary sign as in the verbal language, the national community produced by the film is rather loose and open to the outside world. The nation in the film “Welcome to Dongmakgol” is a blurry nation which is one of the main features in the age of transnational globalization.
참고문헌 (Reference)
1 고부응, "초민족 시대의 민족정체성" 문학과지성사 2002
2 박광현, "웰컴 투 동막골" 필름있수다 2005
3 베네딕트 앤더슨, "상상의 공동체:민족주의의 기원과 전파에 대한 성찰" 나남출판 2002
4 벤야민, 발터, "발터 벤야민의 문예이론" 1994
5 Storey, John, "What is Cultural Studies" London: Arnold 1997
6 Rajchman, John, "The Identity in Question" Routledge 1995
7 Green, Michael, "The Center for Contemporary Cultural Studies:What is Cultural Studies" London: Arnold 49-60, 1997
8 O'Regan, Tom, "Cultural Exchange" MA: Blackwell 262-294, 1999
9 Bernheimer, Charles, "Comparative Literature in the Age of Multiculturalism" Johns Hopkins UP 1995
10 Metz, "A Semiotics of the Cinema U of Chicago P" 1974
1 고부응, "초민족 시대의 민족정체성" 문학과지성사 2002
2 박광현, "웰컴 투 동막골" 필름있수다 2005
3 베네딕트 앤더슨, "상상의 공동체:민족주의의 기원과 전파에 대한 성찰" 나남출판 2002
4 벤야민, 발터, "발터 벤야민의 문예이론" 1994
5 Storey, John, "What is Cultural Studies" London: Arnold 1997
6 Rajchman, John, "The Identity in Question" Routledge 1995
7 Green, Michael, "The Center for Contemporary Cultural Studies:What is Cultural Studies" London: Arnold 49-60, 1997
8 O'Regan, Tom, "Cultural Exchange" MA: Blackwell 262-294, 1999
9 Bernheimer, Charles, "Comparative Literature in the Age of Multiculturalism" Johns Hopkins UP 1995
10 Metz, "A Semiotics of the Cinema U of Chicago P" 1974
동서양 어린이 문학에 나타난 ‘사랑’의 비교 연구- 『선녀와 나무꾼』과 『인어공주』를 중심으로
전쟁, 국가, 남성 히스테리- 아틸라 일한(Attila Ilhan)의 『회상(Yaraya Tuz Basmak)』을 중심으로
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | ![]() |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | ![]() |
2013-01-01 | 평가 | 등재학술지 유지 (등재유지) | ![]() |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | ![]() |
2008-01-01 | 평가 | 등재학술지 유지 (등재유지) | ![]() |
2005-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | ![]() |
2004-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | ![]() |
2002-07-01 | 평가 | 등재후보학술지 선정 (신규평가) | ![]() |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.19 | 0.19 | 0.26 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.24 | 0.23 | 0.629 | 0.15 |