This study figured out which aspect was shown in light of historical context as for works such as < Giselle > by Jean Coralli and Jules Perrot, which can be said to be the essence of romantic ballet, < Giselle > choreographed in 1982 by Ma...
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https://www.riss.kr/link?id=A101896996
2013
-
Ballet ; Giselle ; Jean Coralli ; Jules Perrot ; Mats Ek ; James Jeon
600
KCI등재
학술저널
105-111(7쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This study figured out which aspect was shown in light of historical context as for works such as < Giselle > by Jean Coralli and Jules Perrot, which can be said to be the essence of romantic ballet, < Giselle > choreographed in 1982 by Ma...
This study figured out which aspect was shown in light of historical context as for works such as < Giselle > by Jean Coralli and Jules Perrot, which can be said to be the essence of romantic ballet, < Giselle > choreographed in 1982 by Mats Ek, and < She, Giselle > by James Jeon at Seoul Ballet Theatre, who re-analyzed it with 21C modern sense in our country. These three works were greatly influenced by historical characteristics at that time. Giselle in the 19th century contained a weak woman``s image, which was lost the female identity, while being noticeably indicated sociality at that time that had emphasized the social class. Mats Ek``s Giselle, which was contained the unique philosophy, expressed the happening a little more realistically that Giselle goes to a mental hospital in Act II. James Jeon``s < She, Giselle > depicted a strong woman who takes responsibility for a child with earning monty by having the body as medium after going to a red-light district instead of death, thereby having depicted the female subject, who gains freedom in the spiritual aspect. In this way, even the classic ballet works are expressed differently depending on philosophical propensity to which a choreographer points according to historical flow and also to sociality of each country.